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Updated: May 20, 2025
The town took sides. The virtuosi applauded Vieuxtemps as a true artist, and shrugged at Ole Bull as an eccentric player. If you whispered "Paganini?" they silently shrugged the more. Still the young Viking fascinated young and old. He played like the Pied Piper, and the entranced country danced after.
"When I said that the string instruments, including the violin, subsist in a measure on the heritage transmitted by the masters of the past, I spoke with special regard to technic. Since Vieuxtemps there has been hardly one new passage written for the violin; and this has retarded the development of its technic.
First of all Sevčik laid all the stress on the left hand and not on the bow an absolute inversion of a fundamental principle. Eldering had taken great pains with my bow technic, for he himself was a pupil of Hubay, who had studied with Vieuxtemps and had his tradition.
With his violin at his shoulder, he has the air of a husband undergoing the nocturnal penance of walking the room with 'the child' and performing it, too, with unaffected pity. Vieuxtemps also visited America in 1870, with the celebrated singer Christine Nilsson.
He combined the Paganini school with that of Viotti, and gave status to a peculiar genre of players, in which may be numbered such great virtuosos as Vieuxtemps and Wieniawski, who successively occupied the same professional place formerly illustrated by De Bériot, and the latter of whom recently died.
After a little preliminary conversation which allowed the youth to tell his history, Wieniawski asked him what he would play, and in reply he placed on the piano desk a concerto of Vieuxtemps. The result of his performance was that he at once became a pupil of Wieniawski, with whom he remained some three years, during the period in which Vieuxtemps was recovering from his paralytic shock.
He studied under Vieuxtemps in Paris, and in 1872 was one of the artists engaged for the tour organised by the President of the French Republic for the relief of the sufferers by the Franco-German war.
His dark eyes roamed over the brilliant spectacle before him, from tier to tier, from top to bottom. He had seen it all before many times; but never so beautiful, so vast an audience, such a glory of colour, such closeness of attention. Raising his violin, with a strange, dreamy swaying of his young body, Velasco drew the bow over the quivering strings in the first solo passage of the Vieuxtemps.
In 1876 Vieuxtemps heard him at Antwerp, and through his influence the Belgian government was induced to grant Ysaye a stipend in order to allow him to pursue his studies at Paris. There he was the pupil of Massart, who had also been the teacher of Wieniawski, Ysaye's master at Brussels.
It was about fifteen years ago that Thalberg, who has just died only fifty-nine years old, was in this country. Jenny Lind had been here some years earlier, and Alboni and Grisi a little later, and Vieuxtemps and Sivori and Ole Bull a dozen years before.
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