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Bowen, the Professor of Natural Theology and Moral Philosophy in Harvard University, treated this singular semi-philosophical, semi-poetical little book in a long article in the "Christian Examiner," headed "Transcendentalism," and published in the January number for 1837. The acute and learned Professor meant to deal fairly with his subject.

Hugh felt instinctively that his mind, impatient, inaccurate, subtle rather than profound, was ill adapted for such work as this. He felt that it was rather his work to arrive, if he could, at a semi-poetical, semi-philosophical interpretation of life, and to express this as frankly as he could.

Bowen, the Professor of Natural Theology and Moral Philosophy in Harvard University, treated this singular semi-philosophical, semi-poetical little book in a long article in the "Christian Examiner," headed "Transcendentalism," and published in the January number for 1837. The acute and learned Professor meant to deal fairly with his subject.

But, as he was not by nature a dreamer, only dreamed of the luxury of being one, he soon looked back with loathing on a notion of relief to come from the state of ruminating animal, and jumped up and shook off another of men's delusions that they can, if they have the heart to suffer pain, deaden it with any semi-poetical devices, similar to those which Rufus Abrane's 'fiddler fellow' practised and was able to carry out because he had no blood.

There was one class of semi-poetical composition which Varro made peculiarly his own, the Satura Menippea, a medley of prose and verse, treating of all kinds of subjects just as they came to hand in the plebeian style, often with much grossness, but with sparkling point. Of these Saturae he wrote no less than 150 books, of which fragments have been preserved amounting to near 600 lines.

The Faun, the Titan, and the Satyr had a meaning for him, which he sought to set forth in accordance with the semi-religious, semi-poetical traditions of his race; and when he was at work upon a myth of nature-forces, he well knew that at the other end of the scale, separated by no spiritual barrier, but removed to an almost infinite distance of refinement, Zeus, Phoebus, and Pallas claimed his loftier artistic inspiration.

But, as he was not by nature a dreamer, only dreamed of the luxury of being one, he soon looked back with loathing on a notion of relief to come from the state of ruminating animal, and jumped up and shook off another of men's delusions that they can, if they have the heart to suffer pain, deaden it with any semi-poetical devices, similar to those which Rufus Abrane's 'fiddler fellow' practised and was able to carry out because he had no blood.

The second and higher was the attempt to substitute for the correct, balanced, exactly-proportioned, but even in the hands of Gibbon, even in those of Burke, somewhat colourless and jejune prose of the past age, a new style of writing, exuberant in diction, semi-poetical in rhythm, confounding, or at least alternating very sharply between, the styles of high-strung enthusiasm and extravagant burlesque, and setting at naught all precepts of the immediate elders.