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Of the second and rather larger type there are fewer examples still remaining, and of these perhaps the best is the church of Aguas Santas some seven miles north-east of Oporto. Originally the church consisted of a nave with rectangular chancel and a north aisle with an eastern apse roofed with a semi-dome.
The bishop's throne is from the earlier church. Beneath the late-Gothic seats round the apse are the seats of Poppo's time, with remains of inscriptions: the pavement of marble slabs and mosaic patterns is also due to him. In 1896 frescoes of the eleventh century were discovered beneath the rococo plaster-work in the semi-dome.
The reredos is lined by beautiful glass mosaics, and the semi-dome is mosaic work to match. This sounds a mere catalogue, but it is quite impossible to give any idea of this singularly richly-decorated chapel without descending to detail. The tattered colours used at the Crimea and Waterloo hang from their staves on the pillars.
The north aisle has pointed arches at intervals and a flat roof; the nave of the Santissimo also has a flat roof with beams and brackets. There is a triumphal arch and one blocked window in the apse, with mosaic on the splay of the jamb. The mosaic in the semi-dome is probably an eleventh-century restoration of an older work, itself very carefully restored in 1863.
Squinches in the angles serve as transition to the semi-dome which covers each arm. From the pilasters between the apses cross arches spring beneath a domical vault with a pendant at their intersection; in the left pilaster by the apse is a recess.
This divan is protected from rain by the semi-dome, and from the sun by curtains or mats hung across the arched opening. This arrangement may very well be dictated by ancient tradition. It is well suited to the climate, a consideration which never fails to exercise a decisive influence over architecture." Royal Tent, Kouyundjik. Tent, Kouyundjik.
The mosaics in the apse closely resemble those of the Arian baptistery at Ravenna in style. The figure of S. Maurus might almost have been worked from the cartoon of one of the Apostles there. In the centre of the semi-dome is a figure of the Virgin with the Infant Saviour, clothed in white and gold. Above, a hand holding a crown emerges from clouds.
Above the altar of S. Giusto, to the right, in the semi-dome, SS. Giusto and Servolo stand on each side of our Saviour, beneath whose feet are two monsters, asp and basilisk. The central apse was reconstructed in the seventeenth century. The main reconstruction took place in the fourteenth century.
The aisles are roofed with a half-wagon vault above the quadripartite pointed vaulting, forming a kind of triforium, which is, however, inaccessible; the chapels at the sides of the choir have the semicircular form of the roof of the nave and choir, perhaps suggested by the temple at Spalato, now known as the baptistery; and the east end is tri-apsidal, the apses being polygonal, but roofed with a semi-dome.
The nave of the cathedral is cold and tasteless, the whole effect being centred upon the choir, the richness of which is quite dazzling. The vault is a semi-dome, and the apse-like polygonal termination is pierced with several lofty Gothic windows, so that the eye rests upon the harmonious lines of the tracery and a subdued blaze of many-coloured glass.
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