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Updated: June 12, 2025


Consequently the second transept separates the old from the new high altar. In spite of the low aisles and nave, and the absence of sculptural motives so pronounced in Burgos, the effect produced on the spectator by the double cross and the unusual length as compared with the width is agreeable. The evident lack of unity in the Gothic structure is recompensed by the original and pleasing plan.

Such sculpture for the eye only is almost as good when reproduced in an engraving that preserves its visual quality, and is therefore lacking in complete sculptural beauty. But no plane reproduction can replace the best Greek, Italian, or French work. The life of the statue should, however, be more than skin deep.

The criticism which says, of sculpture or portraiture, that here nature is to be exalted or idealized rather than imitated, is in error. No pictorial or sculptural combinations of points of human liveliness do more than approach the living and breathing beauty.

Sir Joshua Reynolds finds fault with Ghiberti, also, for working at variance with the severity of sculptural treatment, by distributing small figures in a spacious landscape framework.

He had a very particular talent, and it was exhibited in manifold ways. He is as fine in relief as in the round. His decorative quality is as eminent as his purely sculptural side. Compared with his Italian contemporaries he is at once full of feeling and severe. He has nothing of Pilon's chameleon-like imitativeness.

We must admit the right of the sculptor to illustrate simple and well-known historical or fictitious situations. At the same time, however, we must remember that a work of this kind is subject to a twofold standard: first and indispensable, the sculptural, is the form animate and beautiful; then, are the life and action appropriate to the idea? The first is alone absolutely unequivocal.

Subsequent emperors followed his example, till the place became the greatest repository of architectural, pictorial, and sculptural skill, that the world has ever seen: a result to which even Nero's incendiarism indirectly conduced, as affording an occasion for the city's being rebuilt under the higher scientific influences of the times.

But has the Poet likewise answered it? If from their independent efforts to paint the ideal poet there has emerged a portrait as sculpturally clear in outline as is Plato's portrait of the ideal philosopher, we shall perhaps be justified in saying, Yes, the Poet, through a hundred mouths, has spoken. Frankly, the composite picture which we have been considering has not sculptural clarity.

While the Intimate-and-friendly Motion Picture may be in high sculptural relief, its characteristic manifestations are in low relief. The situations show to better advantage when they seem to be paintings rather than monumental groups. Turn to your handful of motion picture magazines and mark the illustrations that look the most like paintings. Cut them out. Winnow them several times.

But these snatches are full of character, these traits possess a sculptural relief; just as with broken trunks of columns, with fragments of stones, all that is left of temples that were once the marvels of ancient art, they enable us to conceive of the grandeur of the whole edifice to which they once belonged. John was at once strong and humble, energetic and self-detached.

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