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The public schools that add comic into existence in the brief glow of the Renascence had been taken possession of by the ruling class; the lower classes were not supposed to stand in need of schools, and our middle stratum got the schools it deserved, private schools, schools any unqualified pretender was free to establish.

For there can be no doubt his whole subsequent history goes to show it that Coleridge's "shaping spirit of Imagination" was in fact dead when these lines were written. To a man of stronger moral fibre a renascence of the poetical instinct in other forms might, as I have suggested above, been possible; but the poet of Christabel and the Ancient Mariner was dead.

This was the grand error of the French Revolution; and its movement of ideas, by quitting the intellectual sphere and rushing furiously into the political sphere, ran, indeed, a prodigious and memorable course, but produced no such intellectual fruit as the movement of ideas of the Renascence, and created, in opposition to itself, what I may call an epoch of concentration.

It is easy to pass from criticism to metaphysics where Coleridge leads, and wise not to follow. If Wordsworth represents that side of the Romantic Revival which is best described as the return to Nature, Coleridge has justification for the phrase "Renascence of Wonder."

In spite therefore of his father's regrets, he retired in 1633 to a new home which the scrivener had found at Horton, a village in the neighbourhood of Windsor, and quietly busied himself with study and verse. The poetic impulse of the Renascence had been slowly dying away under the Stuarts. The stage was falling into mere coarseness and horror.

The whole pontifical family, the stream of assistant prelates, the patriarchs, the archbishops, and the bishops, with vestments and mitres of gold, the Camerieri segreti partecipanti in violet silk, the Camerieri partecipanti of the cape and the sword in black velvet Renascence costumes, with ruffs and golden chains, the whole innumerable ecclesiastical and laical suite, which not even a hundred pages of the "Gerarchia" can completely enumerate, the prothonotaries, the chaplains, the prelates of every class and degree, without mentioning the military household, the gendarmes with their busbies, the Palatine Guards in blue trousers and black tunics, the Swiss Guards costumed in red, yellow, and black, with breastplates of silver, suggesting the men at arms of some drama of the Romantic school, and the Noble Guards, superb in their high boots, white pigskins, red tunics, gold lace, epaulets, and helmets!

The left is filled by a palace of the early Renascence, but the change of architectural style, though it has modified the tone and extent of colour, is far from dismissing it altogether.

We see in all the Christian ages this combination which is not a compromise, but rather a complexity made by two contrary enthusiasms; as when the Dark Ages copied out the pagan poems while denying the pagan legends; or when the popes of the Renascence imitated the Greek temples while denying the Greek gods. This high inconsistency is inconsistent with Islam.

He has excellently pointed out how in the sixteenth century there was a double renascence, a Hellenic renascence and a Hebrew renascence and how both have been great powers ever since.

From the moment he passed under the porticus he was overcome by the icy shiver which fell from the old walls, and was quite unable to appreciate the bare, frigid beauty of the palace, Bramante's masterpiece though it be, so purely typical of the Roman Renascence.