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Updated: June 28, 2025


These were propylaea, or gateways places commanding the approach to great buildings, where a guard might be stationed to stop and examine all comers and halls of a vast size, which were probably throne-rooms, where the monarch held his court on grand occasions, to exhibit himself in full state to his subjects. The propylaea upon the platform appear to have been four in number.

It represented the goddess standing, clothed with a tunic reaching to the ankles, with a spear in her left hand, and an image of Victory in her right. The Acropolis was adorned with another colossal figure of Athena, in bronze, also the work of Phidias. It stood in the open air, nearly opposite the Propylaea, and was one of the first objects seen after passing through the gates of the latter.

Covered with sculptures, both internally and externally, generally in two lines, one over the other, and, above this, adorned with enamelled bricks, arranged in elegant and tasteful patterns; approached by noble flights of steps and through splendid propylaea; having the advantage, moreover, of standing by itself, and of not being interfered with by any other edifice, it had peculiar beauties of its own, and may be pronounced in many respects the most interesting of the Assyrian building's.

His Propylaea, and the sculptured staircase in front of the Chebl Minar, which is undoubtedly his work, are among the most magnificent erections upon the Persepolitan platform; and are quite sufficient to place him in the foremost rank of Oriental builders.

The row of fair maidens looking out toward the Parthenon do not seem much oppressed by the burden which rests upon them, while their graceful forms lend a pleasing variety to the scene. Passing out by the northern wing of the Propylaea, a survey is had of the numerous fragments of sculpture discovered among the ruins upon the hill, and temporarily placed in the ancient Pinacotheca.

The reduction of a single town, which, in our time, that has no Sophocles and no Pericles, a captain of artillery would demolish in a week, was the proudest exploit of the Olympian of the Agora; a little while, and one defeat wrests the diadem of the seas from the brows of "The Violet Queen;" scanty indeed the ruins that attest the glories of "The Propylaea, the Parthenon, the Porticoes, and the Docks," to which the eloquent orator appealed as the "indestructible possessions" of Athens; along the desolate site of the once tumultuous Agora the peasant drives his oxen the champion deity of Phidias, whose spectral apparition daunted the barbarian Alaric , and the gleam of whose spear gladdened the mariner beneath the heights of Sunium, has vanished from the Acropolis; but, happily, the age of Pericles has its stamp and effigy in an art more imperishable than that of war in materials more durable than those of bronze and marble, of ivory and gold.

He was employed on the public buildings of Athens, and on the great temple of Delphi, the hall of which he painted gratuitously. He also decorated the Propylaea, which was erected under the superintendence of Phidias. His greatness lay in statuesque painting, which he brought nearly to perfection by the ideal expression, the accurate drawing, and improved coloring.

The propylaea, or entrances to the Acropolis, were finished in five years' time, Mnesicles being the principal architect. A strange accident happened in the course of building, which showed that the goddess was not averse to the work, but was aiding and co-operating to bring it to perfection.

In the time of the Roman emperors there stood before the Propylaea, equestrian statues of Augustus and Agrippa. On the southern wing of the Propylaea was a temple to the Wingless Victory; on the northern, a Pinacotheca, or picture gallery.

It was less than one fourth the size of the great propylaea, and about half that of the propylaea which stood the nearest to it. The bases of the four pillars alone remain in situ; but, from the proportions thus obtained, the position of the walls and doorways is tolerably certain.

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