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Updated: May 18, 2025
Happy, indeed, was the inspiration that moved the city to buy this house from its last private possessor, Edward Moretus, in 1876. To step across this threshold is to step directly into the merchant atmosphere of the sixteenth century. The once great printing house of Plantin-Moretus was founded by the Frenchman, Christopher Plantin, who was born at St.
Close to this statue is the cathedral, which is one of the grandest in Europe, and where there are some famous paintings by the great artist Rubens, who lived at Antwerp for many years. Another very interesting thing to see at Antwerp is the Plantin-Moretus house.
Printing, indeed, in those days was itself a fine art, and the glories of the house of Plantin-Moretus rivalled those of the later Chiswick Press, and of the goodly Chaucers edited in our own time by Professor Skeat, and printed by William Morris.
It would lose much of its beauty and significance ticketed and arranged stiffly along the walls of the museum, and the thought came to me that it would be a splendid thing for New York if this old house and its contents could be kept intact as an object lesson to the nervous and hurrying younger generation of the easier and more finished manner of life of the older one; something after the fashion that the beautiful old Plantin-Moretus mansion at Antwerp is a rebuke to those present-day publishers who reckon literature a commodity, along with soap and cheese.
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