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The loss of the cartoon was no light one for the city, and very heavy the blame that was rightly laid upon Baccio by everyone, as an envious and malicious person. Baccio then executed some pieces of cartoon with lead-white and charcoal, among which was a very beautiful one of a nude Cleopatra, which he presented to the goldsmith Piloto.

That evening, too, when I met you on the threshold with Granacci, and you left me by the shop of Pietro Osaio, and the other forenoon at S. Spirito, and to-day, it struck me as extremely strange, especially in the presence of Piloto and so many others.

It runs as follows: "Honoured Sir. In Venice, this tenth day of September.... Ten ducats to Rinaldo Corsini. Five ducats to Messer Loredan for the rent of the house. For two stools, a table to eat on, and a coffer, half a ducat. Eight soldi for straw. Forty soldi for the hire of the bed. Three ducats to Bondino for the journey to Venice with boats. Twenty soldi to Piloto for a pair of shoes.

And while he was engaged in finishing that cartoon, he amused himself by causing oil-colours to be prepared and ground in order to paint for his dearest friend, the goldsmith Piloto, a little picture of no great size, containing a Madonna, which he carried something more than half-way towards completion.

Piloto reported Michelagnolo's judgment to Baccio, who, for all the hatred that he felt against him, recognized that he spoke the truth.

Michelagnolo was taken by the goldsmith Piloto to see it, and, after he had examined every part, he said that he marvelled that so good a draughtsman as Baccio should allow a picture so crude and wanting in grace to leave his hands, that he had seen the most feeble painters executing their works in a better manner, and that this was no art for Baccio.

Baccio, then, in his first years, gave his attention to design according to the teaching of his father, being assisted no less to make proficience by the competition of the other lads, among whom he chose as his particular companion one called Piloto, who afterwards became an able goldsmith; and with him he often went about the churches drawing the works of the good painters, but also mingling work in relief with his drawing, and counterfeiting in wax certain sculptures of Donato and Verrocchio, besides executing some works in clay, in the round.