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Updated: May 24, 2025
The sorcerer has from the battlements seen Parsifal approaching, who, thrust out from the Castle of the Grail, had, by the peculiar magic of the place, found the path to it obliterated. He had come forth with the exalted but undefined sense of a great task to perform.
He believed the absurdity with a fervour now laughable, and was especially enthusiastic when the sacrificed person was a woman: woman, to his mind, was the redeemer of man: that was her métier. Senta redeems Vanderdecken; in his last work Kundry redeems Parsifal by thoughtfully dying so as to leave that unamiable idiot to lead the higher life of the monastery, as I have described it.
Parsifal heals his wound with a touch of the sacred spear, and taking his place, unveils the sacred chalice, and kneels before it in silent prayer.
"Parsifal" is not an opera it is a sacred revelation; and just as the seed of Aaron alone could serve as priests in the sacred rites of the temple at Jerusalem, so only the seed of Wagner can serve as priests that is to say, as chief directing priests when "Parsifal" is played.
For the last time, the old conceptions of tonality obtain in his music dramas. One feels throughout "Tristan und Isolde" the key of D-flat, throughout "Die Meistersinger" the key of C-major, throughout "Parsifal" the key of A-flat and its relative minor. Rhythms that had been used all through the classical period are worked by him into new patterns, and do service a last time.
There he is saluted by troops of lovely maidens, who play around him until dismissed by a voice sounding from a network of flowers hard by. Parsifal turns and sees Kundry, now a woman of exquisite loveliness, advancing towards him. She tells him of his dead mother, and drawing him towards her, presses upon his lips the first kiss of love.
Lohengrin is son of Parsifal, head of the mystic Montsalvat monastery where the Holy Grail is kept; where the monks never seem precisely to die; and where, without marriage and even without women, children are somehow born to the favoured ones.
There you smoke at your ease, put your elbows on the table and dream dreams of your student days when the dinner coat vexed not your peaceful spirit. Owing to our late arrival and the enormous crowd of people at Bayreuth, we found it expedient to remain in Nuremberg and go up to Bayreuth for the opera. The day of our performance of "Parsifal" was one of the hottest of the year.
It is also obvious that the king, whose name is Amfortas, that is, "the powerless one," is a symbol of humanity suffering from the wounds of slavery to desire; that the heroic act of Parsifal, as Wagner calls him, which brings release to the king and his knights, is renunciation of desire, prompted by pity, compassion, fellow-suffering; and that this gentle emotion it was that had inspired knowledge simultaneously of a great need and a means of deliverance.
Parsifal has wandered for years trying to find Monsalvat, and at last encounters Gurnemanz, now a very old man, living as a hermit near a forest spring, and the saddened Kundry is serving him. It is the Good Friday morning, and forests and fields are bright with flowers and the verdure of spring.
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