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And it is certain that in that craft there was never any man more able than Giovanni, either in design or in workmanship: of which we still have proof in the Sacristy, wrought most beautifully with perspective-views in woodwork, of S. Maria in Organo in his native city of Verona, in the choir of Monte Oliveto di Chiusuri and that of S. Benedetto at Siena, in the Sacristy of Monte Oliveto at Naples, and also in the choir of the Chapel of Paolo da Tolosa in the same place, executed by that master.
The same master executed many works at Lonico, in an abbey of Monks of Monte Oliveto, whither great multitudes flock together to adore a figure of the Madonna which performs many miracles in that place.
The next notice of importance is of the year 1497, when he received the commission from the monks of S. Benedict to fresco the walls of their cloister at Monte Oliveto. Here he painted eight episodes from the life of the patron saint, leaving the rest of the work to be completed by Sodoma.
Then, having nothing more to do at Pisa, he made his way to Lucca, where, at S. Ponziano, a seat of the Monks of Monte Oliveto, an Abbot of his acquaintance caused him to paint a Madonna on the ascent of a staircase that leads to the dormitory.
To add to the general panic prevailing in the city, the Neapolitans themselves were not unnaturally greatly exasperated by the serious accident which took place at the Central Market Hall near Monte Oliveto in the heart of the old town.
For the Church of S. Giorgio, a seat of the Monks of Monte Oliveto, without the city, he painted an altar-piece in oils of the Magi adoring Christ and offering to Him myrrh, incense, and gold; and this is one of the best works that Benvenuto ever executed in all his life.
At the feet of the portrait he painted a raven, an ape, and others of his animals. This work finished, he painted the story of the five loaves and two fishes, with other figures, in the Refectory of the Monastery of S. Anna, a seat of the same Order, distant five miles from Monte Oliveto; which work completed, he returned to Siena.
At Chiusuri in the district of Siena, the principal seat of the Monks of Monte Oliveto, he painted eleven scenes of the life and acts of S. Benedict on one side of the cloister. And from Cortona he sent some of his works to Montepulciano; to Foiano the panel which is on the high-altar of the Pieve; and other works to other places in Valdichiana.
Afterwards, Francesco being very much the friend, and, as it were, the brother of Girolamo dai Libri, the painter and illuminator, they undertook to paint in company the organ-doors of S. Maria in Organo, a church of Monks of Monte Oliveto.
In the Church of S. Bernardo, also, a monastery of the Monks of Monte Oliveto, Parri painted two chapels, one on either side within the principal door.
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