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Updated: June 24, 2025
He is a colourist almost as sumptuous as Monticelli, with a precision of vision never attained by the Marseilles rhapsodist. His figures are as delicious as Watteau's or Debucourt's he recalls the latter frequently and as an Orientalist he ranks all but a few.
There was exquisite silver work and brass, gold, and amber carvings, dahs or swords in silver and velvet sheaths with ivory handles, long shaped books of papyrus with the heavy black print on lacquered gilded leaves, and Buddhas in gold and marble, and a little Chinese box carved in root amber, which I coveted it suggested a picture by Monticelli besides wonders of Burmese carvings in wood and ivory: then music, and good voices, and the piano sounding so well in the large teak drawing-room and home again, rattling in the gharry over the hard macadam and the soft ups and downs and ruts along the sand, as here depicted in black and white, to our new quarters on the shores of Mandalay where the big mosquitoes play and sing us to sleep "only a temporary plague," they say here, and we hope so!
A pantheist, withal a poet and a direct descendant in the line of Watteau, Boucher, Monticelli, with an individual touch of mundane grace and elegance. Mme. Charpentier it was who cleverly engineered the portrait of herself and children and the portrait of Jeanne Samary into the 1879 Salon. The authorities did not dare to refuse two such distinguished women. Renoir's prospects became brighter.
And now I must speak at some length of a painter who, together with the luminous and sparkling landscapist Félix Ziem, was the most direct initiator of Impressionist technique. Monticelli is one of those singular men of genius who are not connected with any school, and whose work is an inexhaustible source of applications.
Later he modified his own paint to show his sympathy with the new school. Monet went to Watteau, Constable, Monticelli for his ideas, and in London, about 1870, he studied Turner with an interest that finally bordered on worship. And why not? In Turner, at the National Gallery, you may find the principles of impressionism carried to extravagant lengths, and years before Monet.
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