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Of which not knowing the reason, some said that Baccio had torn it up in order to have some pieces of the cartoon in his possession for his own convenience, some declared that he wished to deprive the other young men of that advantage, so that they might not be able to profit by it and make themselves a name in art, others said that he was moved to do this by his affection for Leonardo da Vinci, from whom Michelagnolo's cartoon had taken much of his reputation, and others, again, perhaps interpreting his action better, attributed it to the hatred which he felt against Michelagnolo and afterwards demonstrated as long as he lived.

And the sight of it was the reason that Raffaello straightway repainted, although he had already finished it, the Prophet Isaiah that is to be seen in S. Agostino at Rome, above the S. Anne by Andrea Sansovino; in which work, by means of what he had seen of Michelagnolo's painting, he made the manner immeasurably better and more grand, and gave it greater majesty.

Whereupon he made up his mind to show his worth in this undertaking, and he made his figures very large on account of the height, after the manner of the works in Michelagnolo's chapel.

Piloto reported Michelagnolo's judgment to Baccio, who, for all the hatred that he felt against him, recognized that he spoke the truth.

And if the same had been done by many craftsmen of our own age, who, having determined to pursue the study of Michelagnolo's works alone, have failed to imitate him and have not been able to reach his extraordinary perfection, they would not have laboured in vain nor acquired a manner so hard, so full of difficulty, wanting in beauty and colouring, and poor in invention, but would have been able, by aiming at catholicity and at imitation in the other fields of art, to render service both to themselves and to the world.

In the meantime Signor Alfonso Davalos, Marchese del Vasto, having obtained from Michelagnolo Buonarroti by means of Fra Niccolò della Magna a cartoon of Christ appearing to the Magdalene in the garden, moved heaven and earth to have it executed for him in painting by Pontormo, Buonarroti having told him that no one could serve him better than that master. Jacopo then executed that work to perfection, and it was accounted a rare painting by reason both of the grandeur of Michelagnolo's design and of Jacopo's colouring. Wherefore Signor Alessandro Vitelli, who was at that time Captain of the garrison of soldiers in Florence, having seen it, had a picture painted for himself from the same cartoon by Jacopo, which he sent to Citt

In this painting Raffaello depicted some Prophets and Sibyls, before Michelagnolo's chapel had been thrown open to view, although he had seen it; and in truth it is held to be the best of his works, and the most beautiful among so many that are beautiful, for in the women and children that are in it, there may be seen a marvellous vivacity and perfect colouring.

And Bandinelli, having therefore arrived in Florence, so haunted the Duke in his audacity, making promises and showing him designs and models, that the tomb of the above-named Signor Giovanni, which was to have been made by Tribolo, was allotted to him; and so, taking some pieces of marble of Michelagnolo's, which were in the Via Mozza in Florence, he hacked them about without scruple and began the work.