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Updated: June 17, 2025
My acquaintance with him was casual altogether; and I am scarcely warranted in saying that I know him at all; but to have seen and conversed with a man of so prodigious a notoriety as he has attained, or will attain in a few days, is not a small matter, as times go. The family is connected, in some way, with Maelzel, of Automaton-chess-player memory.
The arm, particularly, performs its operations in an exceedingly stiff, awkward, jerking, and rectangular manner. Now, all this is the result either of inability in Maelzel to do better, or of intentional neglect accidental neglect being out of the question, when we consider that the whole time of the ingenious proprietor is occupied in the improvement of his machines.
The automaton chess-player and other pieces of mechanism exhibited by Monsieur Maelzel were very popular at Washington. The chess- player was the figure of a Turk of the natural size, sitting behind a chest three feet and a-half in height, to which was attached the wooden seat on which the figure sat.
The spectators being satisfied of this fact, Maelzel closes the back door, locks it, takes the key from the lock, lets fall the drapery of the figure, and comes round to the front. The door marked I, it will be remembered, is still open.
This wagon was to be of such a kind that it could be folded up and easily carried behind men on horseback, who accompanied the army, such as surgeons, aides, servants, etc. M. Maelzel had also built an automaton known throughout Europe under the name of the chess player, which he brought to Schoenbrunn to show to his Majesty, and set it up in the apartments of the Prince de Neuchatel.
From a drawer in this table is taken a set of chess-men, and Maelzel arranges them generally, but not always, with his own hands, on the chess board, which consists merely of the usual number of squares painted upon the table.
Herr Maelzel, now in London, on his way thither performed my "Battle Symphony" and "Wellington's Battle of Vittoria" in Munich, and no doubt he intends to produce them at London concerts, as he wished to do in Frankfort.
Herr Maelzel thinks fit to say that he has delayed his visit to London on account of the battle-piece, which is a mere subterfuge. He stayed to finish his patchwork, as the first attempt did not succeed. The Summer of 1814. A thousand thanks, my esteemed Kauka. At last I meet with a legal representative and a man, who can both write and think without using unmeaning formulas.
Having opened this drawer to its full extent, a small cushion, and a set of chessmen, fixed in a frame work made to support them perpendicularly, are discovered. Leaving this drawer, as well as cupboard No. 1 open, Maelzel now unlocks door No. 2, and door No. 3, which are discovered to be folding doors, opening into one and the same compartment.
Particular thanks are due to Herr Maelzel, inasmuch as he first suggested the idea of this concert, and the most troublesome part of the enterprise, the requisite arrangements, management, and regulations, devolved on him.
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