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Updated: June 17, 2025
Maelzel, having now rolled the machine around, lifted up the drapery of the Turk, opened the doors in his back and thigh, and shown his trunk to be full of machinery, brings the whole back into its original position, and closes the doors. The man within is now at liberty to move about. He gets up into the body of the Turk just so high as to bring his eyes above the level of the chess-board.
Not to weary the company, is the ostensible, and no doubt the real object of the limitation. It Wits of course be understood that when a move is made at his own table, by the antagonist, the corresponding move is made at the box of the Automaton, by Maelzel himself, who then acts as the representative of the antagonist.
This wagon was to be of such a kind that it could be folded up and easily carried behind men on horseback, who accompanied the army, such as surgeons, aides, servants, etc. M. Maelzel had also built an automaton known throughout Europe under the name of the chess player, which he brought to Schoenbrunn to show to his Majesty, and set it up in the apartments of the Prince de Neuchatel.
In shutting up the box no particular order is observed, except that the folding doors are always closed before the drawer. Now, let us suppose that when the machine is first rolled into the presence of the spectators, a man is already within it. His body is situated behind the dense machinery in cupboard No. When Maelzel opens the door No.
It will then be seen that the movement of the arm, which, in all other cases, immediately succeeds the motion in the shoulder, is withheld is not made although Maelzel has not yet performed, on the board of the Automaton, any move corresponding to the withdrawal of the antagonist.
These peculiarities are, no doubt, mere mannerisms of M. Maelzel, or, if he is aware of them at all, he puts them in practice with a view of exciting in the spectators a false idea of the pure mechanism in the Automaton. The Turk plays with his left hand. All the movements of the arm are at right angles.
As soon as the first concert was over, I repaid Maelzel his fifty ducats, declaring that having discovered his real character, nothing should ever induce me to travel with him; justly indignant that, without consulting me, he had stated in the bills that all the arrangements for the concert were most defective.
On the other hand, when the Turk moves, the corresponding move is made at the table of the antagonist, also by M. Maelzel, who then acts as the representative of the Automaton. In this manner it is necessary that the exhibiter should often pass from one table to the other.
Now let the antagonist move a piece, and let the corresponding move be made by Maelzel, as usual, upon the board of the Automaton. Then let the antagonist narrowly watch the Automaton, until he detect the preparatory motion in the shoulder. Immediately upon detecting this motion, and before the arm itself begins to move, let him withdraw his piece, as if perceiving an error in his manoeuvre.
This wagon was to be of such a kind that it could be folded up and easily carried behind men on horseback, who accompanied the army, such as surgeons, aides, servants, etc. M. Maelzel had also built an automaton known throughout Europe under the name of the chess player, which he brought to Schoenbrunn to show to his Majesty, and set it up in the apartments of the Prince de Neuchatel.
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