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Updated: April 30, 2025


His masterpiece is said to have been a group representing Achilles conducted to the island of Leuce by the divinities of the sea, which ornamented the shrine of Domitius in the Flaminian Circus. Sculpture in Greece culminated, as an art, in Lysippus, who worked chiefly in bronze.

Alexander ordered that each of these men should have his statue made in bronze by Lysippus; and wishing to make the Greeks generally partakers of his victory, he sent the Athenians three hundred captured shields, and on the other spoils placed the following vainglorious inscription: "Alexander, the son of Philip, and the Greeks, all but the Lacedæmonians, won these spoils from the barbarians of Asia."

The work, which is only a copy, may go back to an original by Lysippus, though the evidence for that belief, a certain resemblance to the head of the Apoxyomenos, is hardly as convincing as one could desire. The king is here represented, one would guess, at the age of thirty or thereabouts.

In the antechamber, where Hermon waited for the King, Proclus mentioned one of the finest statues of Alexander by Lysippus, and an exquisite Eros by Praxiteles.

Agrippa left his gardens and baths, which stood near the pantheon, to the Roman people: among the statues that adorned them was that of a youth naked, as going into the bath, so elegantly formed by the hand of Lysippus, that Tiberius, being struck with the beauty of it, ordered it to be transferred into his own palace: but the populace raised such a clamour against him, that he was fain to have it reconveyed to its former place.

This prodigious Statue, which, was accounted one of the seven wonders of the world, was planned, and probably executed by Chares, an ancient sculptor of Lindus, and a disciple of Lysippus. According to Strabo, the statue was of brass, and was seventy cubits, or one hundred feet high; and Chares was employed upon it twelve years.

It was one of the most memorable events of the pagan world, whose greatest light was extinguished, no, not extinguished, since it has been shining ever since in the "Memorabilia" of Xenophon and the "Dialogues" of Plato. Too late the Athenians repented of their injustice and cruelty. They erected to his memory a brazen statue, executed by Lysippus. His character and his ideas are alike immortal.

Her beautifully-moulded hands rivalled the ivory keys before her, and would have tempted the genius of a Phidias or a Lysippus. Soon a low, soft symphony sounded through the room a music that had power to move the soul and hold it entranced. "Marguerite, darling, do not play like that. I cannot hear such music without feeling sad, and sadness must not intrude to-night."

The very same, noble Titianus, of whom I just now speaking to you." "You know him?" asked the prefect's wife. "No, but I have just left the work-shop of Periander, the gem-cutter, and there I saw the model of a statue of Antinous that is unique, marvellous, incomparable! The Bithynian as Dionysus! The work would do no discredit to a Phidias, to a Lysippus.

The Rhodian school was the immediate offshoot from the school of Lysippus at Sicyon; and from this small island of Rhodes the Romans, when they conquered it, carried away three thousand statues. It was discovered in 1506, near the baths of Titus, and is one of the choicest remains of ancient plastic art.

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