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Updated: June 24, 2025
Out of three thousand marks, borrowed at interest from Schroder-Devrient, I not only paid these debts, but also fully compensated the sacrifices which Kietz had made on my behalf, without ever expecting any return, in the days of my poverty in Paris. I was, moreover, able to be of practical use to him.
It evidently gave him great pleasure to present me thus in triumph to the literary world, and in order to give the subject more prominence he added a supplement to that number in the shape of a lithograph reproduction of my portrait by Kietz.
After that I left Paris on the 2nd of February in a more cheerful frame of mind, and on my homeward journey went to look up my old friend Kietz in Epernay, where M. Paul Chandon, who had known Kietz since boyhood, had interested himself in the ruined painter by taking him into his house, and giving him a number of commissions for portraits.
When I first settled in Dresden, as I have already pointed out, she lent me three thousand marks, not only to help me to discharge my debts, but also to allow me to contribute to the maintenance of my old friend Kietz in Paris.
We had the great pleasure of hearing the young virtuoso, who was then greatly feted in Paris, play to us charmingly for a whole evening a performance which lent my little salon an unusual touch of 'fashion. Kietz rewarded him for his kindness by carrying him on his shoulders to his hotel close by.
Our trusty servant Therese, a Swabian girl, had been sneered at by a crazy hooligan, but when she realised that he understood German, she succeeded in quieting him for a time by calling him Schweinhund at the top of her voice. Poor Kietz was struck dumb with disappointment, and Chandon's 'Fleur du Jardin' was growing sour in the storeroom.
The first necessity was at all costs to secure peace and quietness for myself for the short time which I should have to devote to the overture of the Fliegender Hollander; I told Kietz that he would have to procure the money necessary for my household expenses until this work was finished and the full score of the opera sent off.
No evening ever passed during which I did not succeed in shaking off the depression caused by my vain endeavours, and by the many worries I had gone through during the day, and in regaining my natural cheerfulness, and Kietz was anxious to represent me to the world as a man who, in spite of the hard times he had to face, had confidence in his success, and rose smiling above the troubles of life.
It was no use; I did not possess seven francs, and I told him he should have presented the bill for the carriage before I had opened the parcel. So I made him return the only copy of my overture to Messrs. Laffitte and Gaillard's firm, to do what they liked with it, and I never cared to inquire what became of that manuscript. Suddenly Kietz devised a way out of these troubles.
Kietz alone held out faithfully, and he busied himself in trying to make some money in Paris to provide for his future, in which attempt he was hampered by many difficulties that stood in the way of his desire.
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