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It has also been proposed to make the third foot a spondee or an iambus, and the remaining feet anapaests, thus: 'Full-sailed | wide-winged | poised soft- | ly forev- | er asway. "The confusion of these ideas is enough to mark them as unscientific and worthless, to say nothing of the severe reflection they cast on the poet's workmanship. We have not so known Mr.

At the public tables of Sparta keen and pointed raillery was permitted, and some of the most venerable and sacred of their religious rites afforded occasion for their unsparing and audacious jests. This raillery was so ancient and inveterate a custom, that it had given rise to a peculiar word, which originally denoted nothing but the jests and banter used at these festivals, namely, Iambus.

In these two forms, Greek poetry entered the domain of real life. The elegy and iambus contain the germ of the lyric style, though they do not themselves come under that head.

"The iambus is not much in vogue among the Romans as a separate form of poetry; it is more often interspersed with other rhythms. Its bitterness is found in Catullus, Bibaculus, and Horace, though in the last the epode breaks its monotony.

In them he reproduced some of the simpler Greek metres, especially the trochaic; and Terentianus Maurus gives from the Ino specimens of a curious experiment in metre, viz. the substitution of an iambus for a spondee in the last foot of a hexameter. His plodding industry and laudable aims obtained him the respect of the people.

Watson's Absolon and Buchanan's Iephthe he considers the best tragedies of his age because only they can "abide the trew touch" of Aristotle's precepts and Euripides's example. They were good because they were according to rule, and in imitation of good models. Watson he especially praises for his refusal to publish Absolon because in several places an anapest was substituted for an iambus.

From this time we find a union between the elegiac and iambic poetry; the same poet, who employs the elegy to express his joyous and melancholy emotions, has recourse to the iambus when his cool sense prompts him to censure the follies of mankind.

They were for the most part the beginning of some word which reminded him of a thing he cared to remember. First he had, in sport, named some of them after the metrical feet of Latin verse, which had been but ill friends of his in his school days, and in his kennel there was a Troch, Iamb, Spond and Dact, whose full names were Trochee, Iambus, Spondee and Dactyl.

They were for the most part the beginning of some word which reminded him of a thing he cared to remember. First he had, in sport, named some of them after the metrical feet of Latin verse, which had been but ill friends of his in his school days, and in his kennel there was a Troch, Iamb, Spond and Dact, whose full names were Trochee, Iambus, Spondee and Dactyl.

The labour bestowed upon this point must have been very great; the tone and quantity of words seem weighed in scales of gold. It will, no doubt, be considered ridiculous by the Fannii and Fanniae of our day to talk of varying the trochee with the iambus, or of resolving either into the tribrach.