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In an instant the yards swung round; and as the ship half-wheeled upon her heel, her three firm-seated graceful masts erectly poised upon her long, ribbed hull, seemed as the three Horatii pirouetting on one sufficient steed. Standing between the knight-heads, Starbuck watched the Pequod's tumultuous way, and Ahab's also, as he went lurching along the deck.

Peter's one can see every notable object in Rome, from the Castle of St. Angelo to the Coliseum. He can discern the seven hills upon which Rome is built. He can see the Tiber, and the locality of the bridge which Horatius kept "in the brave days of old" when Lars Porsena attempted to cross it with his invading host. He can see the spot where the Horatii and the Curatii fought their famous battle.

The armies of the two States were drawn up in battle array, when it was determined that the quarrel should be settled by three champions, chosen from each side. Hence the beautiful story of the Curiatii and the Horatii, three brothers on each side. Two of the Horatii were slain, and the three Curiatii were wounded.

The onset was fierce, and set every heart in the two armies throbbing in hope or dread. But after a short time a shout of triumph went up from the Alban host. Two of the Horatii lay stretched in death on the field. The Curiatii were all wounded, but they were now three to one, so the remaining Horatius turned and fled, though he was still unhurt.

Imagine, for instance, the difference in manner of fighting, and in actual muscular strength and endurance, between a common soldier, and a man in the circumstances of the Horatii, or of the temper of Leonidas.

He, the father, had discovered in Leipsic what his son had sought in vain at all the most famous Universities of Italy, and if he should succeed in one remaining step, the fame of the Ueberhells, like that of the Roman Horatii, would reach to the skies.

Petronius shows us a state of morals at which a commonplace devil would blush, in the midst of a society more intellectually cultivated than certainly was that which produced Regulus or the Horatii. And the most learned eras in modern Italy were precisely those which brought the vices into the most ghastly refinement."

Some years ago, the Dutchess of Maine ordered simphonies to be composed for the scene of the fourth act of the Horatii; in which the young Horatius kills Camilla. Two dancers, one of each sex, represented this action at Sceaux; and their dance painted it with all the energy and pathos of which it was susceptible.

We find an exceedingly interesting example of this primitive superstition in the punishment that was imposed upon the survivor in the famous combat between the Horatii and Curiatii, when he murdered his sister, on account of her unpatriotic devotion to her slain lover.