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Rembrandt's landscapes are the least picturesque in the world, except from the straight lines and sharp angles, the deep incision and dragging of his pencil, like a harrow over the ground, and the broad contrast of earth and sky. Earth, in his copies, is rough and hairy; and Pan has struck his hoof against it! A camel is a picturesque ornament in a landscape or history-piece.
"Will you not admit the superiority of Robertson, in whose history we find such penetration, such painting?" Johnson. "Sir, you must consider how that penetration and that painting are employed. It is not history, it is imagination. He who describes what he never saw, draws from fancy. Robertson paints minds as Sir Joshua paints faces, in a history-piece; he imagines a heroic countenance.
It unhappily was left unfinished, in this great history-piece of the massacre of innocents. What hardy pencil of a great master, from the school of the rights of men, will finish it, is to be seen hereafter.
In Italy especially many subjects of a what may be called low comedy, are very naturally expressed by dancing. In short, there is hardly any comic action but what they represent upon their theatres, if not with perfection, at least satisfactorily. And certainly the dance in action has the same superiority over sheer unmeaning dancing, that a fine history-piece has over cutting flowers in paper. In the last there is little more required than mechanical nicety, and, at the best, it affords no great pretention to merit. But it is only for genius to order, distribute and compose, in the other. A
He who describes what he never saw, draws from fancy. Robertson paints minds as Sir Joshua paints faces in a history-piece: he imagines an heroic countenance. You must look upon Robertson's work as romance, and try it by that standard. History it is not. Besides, Sir, it is the great excellence of a writer to put into his book as much as his book will hold. Goldsmith has done this in his History.
One of these was of a nature so interesting and singular, that my attention was divided between my wish to draw the old ruins in landscape, and to represent, in a history-piece, the singular events which have taken place in it.
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