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In the country it is represented not so much by the store, which, after all, fills an unmistakable need on the part of the rural population, as by the representatives of the various professions. For these Hamsun entertains a hostile feeling hardly less marked than that bestowed on their place of origin, whither, to his openly declared disgust, they are always longing.
Yet Hamsun dares, and so insistently unlike all else is the impress of his personality that the mechanical structure of the story is forgotten. It is interspersed with irrelevant fancies, visions and imaginings, a chain of tied notes heard as an undertone through the action on the surface.
The extent to which this is done may be seen from the way in which Hamsun lets a character in one book enter upon a theme which later becomes the subject of an independent work by the author himself. Thus Glahn is haunted by visions of Diderik and Iselin; Johannes writes fragments supposed to be spoken by one Vendt the Monk.
Others have suffered in the same way, although, being less rigidly themselves, they may not, like Hamsun, have taken a perverse pleasure in driving home the point of the agony. Others have thought and said harsh things of the cities. But no one that I can recall has equalled Hamsun in his merciless denunciation of the very principle of urbanity.
In A Year of Their Lives the same "animal" method is transfered to the treatment of primitive human life, and the shadow of Knut Hamsun is plainly discernible in the background. Death, The Heirs, and The Belokonsky Estate are first class exercises in the manner of Bunin, and only A Thousand Years and The Crossways herald in, to a certain extent, Pilniak's own manner of invention.
The extraordinary associations, the weird fancies and bizarre impulses that are here laid bare give an air of convincing verisimilitude to the supposed confessions of a starving journalist. But, as a matter of fact, Hamsun has no need of extraneous influences to invest his characters with originality. Starving or fed, they can be equally erratic. This is seen in his next book, Mysterier.
Then comes the evening. Knut Hamsun by W.W. Worster By W.W. Worster Knut Hamsun is now sixty. For years past he has been regarded as the greatest of living Norwegian writers, but he is still little known in England.
Five years after Victoria, Hamsun gives us the romantic drama of Munken Vendt, in which Diderik and Iselin appear.
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