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It ought to be translated for the benefit of readers who know Gautier chiefly by Mademoiselle de Maupin and that for reasons among which love of literature is perhaps the least influential. It is pleasant to find that Renduel confirms the popular view of Gautier's character. M. Jullien says that Renduel never spoke of Gautier but in praise. 'Quel bon garçon! he used to say.

"They were all this that I have said, and they were made for joy, only they achieved a concept. A curse on concepts! They played with logic, and this was their logic. But first let me tell you of a talk we had one night. It was of Gautier's Madeline de Maupin. You remember the maid? She kissed once, and once only, and kisses she would have no more.

Perhaps it was a little crazy in him to spend so much money in the comparatively commonplace adventure of taking an amateur dramatic company through the English provinces, he himself, I believe, playing but minor rôles; but lovers of Gautier's Le Capitaine Fracasse will see in that but a charmingly boyish desire to translate a beloved dream into a reality though his creditors probably did not take that view.

He was determined that he would not think about what had happened until it became absolutely necessary that he should do so. When he had stretched himself on the sofa, he looked at the title-page of the book. It was Gautier's Emaux et Camees, Charpentier's Japanese-paper edition, with the Jacquemart etching.

Their size has nothing to do with their merits. A few lines by Gautier stuffed with prismatic words and yet as vague as mist-wreaths may in artistic worth surpass whole cantos of more famous poets; and Mr. MacDowell has Gautier's sense of colour and knowledge of the power of suggestion."

However, Elektra needs no apology, and the joyous Rosenkavalier is a distinct addition to the repertory of high-class musical comedy. Strauss is an experimenter and no doubt a man for whom the visible box-office exists, to parody a saying of Gautier's. But we must judge him by his own highest standard, the standard of Elektra, Don Quixote, and Till Eulenspiegel, not to mention the beautiful songs.