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Boche and Bibi-the-Smoker snickered at the nudes, pointing them out to each other and winking. The Gaudrons looked at the "Virgin" of Murillo, he with his mouth open, she with her hands folded on her belly. When they had been all around the Salon, Monsieur Madinier wished them to go round it again, it was so worth while.
Next came Mademoiselle Remanjou, looking very thin in the eternal black dress which she seemed to keep on even when she went to bed; and the two Gaudrons the husband, like some heavy animal and almost bursting his brown jacket at the slightest movement, the wife, an enormous woman, whose figure indicated evident signs of an approaching maternity and whose stiff violet colored skirt still more increased her rotundity.
Gervaise asked the meaning of one of the pictures, the Noces de Cana; Coupeau stopped before La Joconde, declaring that it was like one of his aunts. Boche and Bibi-la-Grillade snickered and pushed each other at the sight of the nude female figures, and the Gaudrons, husband and wife, stood open-mouthed and deeply touched before Murillo's Virgin.
My-Boots and the Gaudrons went down to the dance with Boche sneaking along after them. The twirling couples could be seen from the windows. The night was still as though exhausted from the heat of the day. A serious conversation started between Lorilleux and Monsieur Madinier. The ladies examined their dresses carefully to see if they had been stained.
Coupeau and Gervaise again took the lead, almost running and keeping a good distance in front of the others. Monsieur Madinier now gave his arm to Madame Lorilleux, mother Coupeau having remained behind in the wineshop on account of her old legs. Then came Lorilleux and Madame Lerat, Boche and Madame Fauconnier, Bibi-the-Smoker and Mademoiselle Remanjou, and finally the two Gaudrons.
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