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The noises of the hill do not penetrate here, and the solitary porter who admitted me went back to his post, and suffered me to wander at will through the enchanted halls. I passed out of this court by an opposite door, and saw, through the vistas of marble pillars and the wonderful fret-work which seems a thing of air rather than of earth, the Fountain of the Lions.

We also observed that the ceiling was curiously marked in many places, as if it were the fret-work of a noble cathedral; and the walls, as well as the roof, sparkled in the light of our torch, and threw back gleams and flashes, as if they were covered with precious stones.

A droll fancy, you say? But every child with a soul in him has quite as quaint fancies as this one was of August's. So he got over his terror and his sobbing both, though he was so utterly in the dark. He did not feel cramped at all, because the stove was so large, and air he had in plenty, as it came through the fret-work running round the top.

The arches here opened to a lofty vault, from the centre of which hung a tripod lamp, which a servant was hastily lighting; and the rich fret-work of the roof, a corridor, leading into several upper apartments, and a painted window, stretching nearly from the pavement to the ceiling of the hall, became gradually visible.

A rosewood what-not with ornamental fret-work hung on the wall beside the devout young lady in dishabille, and after much weighing of alternatives the sisters decided to dethrone a broken china vase filled with dried grasses which had long stood on the top shelf, and to put the clock in its place; the vase, after farther consideration, being relegated to a small table covered with blue and white beadwork, which held a Bible and prayer-book, and an illustrated copy of Longfellow's poems given as a school-prize to their father.

My friend at the lathe never looked up, not caring to waste any of his precious time, I suppose, but he observed, when I spoke of it, that the 'ignorant animals liked the taste of snow. I went back to the bench again and looked at his fret-work. Goodness only knows why he was doing it. It was a meaningless design of dots and wriggles.

This young chap in the fez had other points, but at the outset I had the most extraordinary sensation of leaning against the door of my soul, trying to keep him out. I don't suppose it struck him that way. I dare say he thought me rather subdued and untidy. He was very hospitable, asking me to 'take a seat' at his bench, and showing me his fret-work.

Not that this gentleman had soaked through, or was a Moslem either. He had, as he informed me, been all over the world. But it was not his fez, or his jaundiced complexion, or his fret-work, or his languages, or his travels that marked him out for me at the time. It was the simple fact that he was my first foreigner.