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Updated: June 5, 2025
Watteau, Fragonard Fragonard especially, the exquisite and impudent are as gay, as spontaneous, as careless, as vivacious as Boldini. Boucher's goddesses and cherubs, disporting themselves in graceful abandonment on happily disposed clouds, outlined in cumulus masses against unvarying azure, are as unrestrained and independent of prescription as Monticelli's figures.
Eschewing the stiff, affected classicalism of the Empire style, the furniture was the best work of André Boule and Riesener; tables, with fine marquetry of the last century, made of tulip wood and mahogany; mirrors from Tourlaville; couches with tapestry woven in fanciful designs after Fragonard, in the looms of Beauvais couches that were made for conversation, not repose; cabinets exemplifying agreeable disposition of lines and masses in the inlaid adornment, containing tiny drawers that fitted with old-time exactness, and, without jamming, opened and shut at the touch.
Chenedolle, whose verse Madame de Stael said to be as lofty as Lebanon, and whose fame is lilliputian to-day, was, with Ducis, the representative of their advance-guard. In painting, with Fragonard, Greuze and Gros, there was a greater stir of genius, yet without anything corresponding in the sister art.
In the further drawing-room I note the Renaissance cabinets a marvellous pair the Flemish tapestry, the Fragonard, the clock signed Boulle, and various other objects of less importance. But above all I have set my heart on that coronet which you bought at the sale of the Marquise de Ferronaye, and which was formerly worn by the unfortunate Princesse de Lamballe.
The decoration of this room is mainly in the German taste, since four out of every six of its Royal occupants are of Teutonic blood; but its chief glory is its French ceiling, a masterpiece by Fragonard, taken bodily from a certain famous palace on the Loire. The walls are of panelled oak, with an eight-foot dado of Arras cloth imitated from unique Continental examples.
Wonderfully well she went with the room in which they were dining, whose grey walls, surmounted by a deep frieze painted somewhat in the style of Fragonard, contained many nymphs and roses now rather dim; with the furniture, too, which had a look of having survived into times not its own.
Such was the fate of six armchairs, six small Louis XV chairs, a quantity of Aubusson tapestries, some candelabra, paintings by Fragonard and Nattier, a bust by Houdon, and some statuettes. Sometimes, Lupin would linger before a beautiful chest or a superb picture, and sigh: "That is too heavy....too large....what a pity!"
The conventional graces of Vanloo, of Watteau, of Boucher, of Fragonard, had given place to a severer school.
We cannot entirely acquit Fragonard of all blame in accepting such a commission, but he was a young man, just starting as a professional artist, with the example of Boucher before him, and it would hardly have seemed wise to begin his career by offending a noble patron.
His work certainly has its Fragonard, its Clodion, its Carpeaux side. Like every temperament that is strongly attracted by the decorative as well as the significant and the expressive, pure style in and for itself has its fascinations, its temptations for him. Of course it does not succeed in getting the complete possession of him that it has of the Institute.
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