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Updated: May 28, 2025


A new feature, showing how the pure Arab details were being gradually combined with Gothic, is an ogee moulding which, uniting the two arches, ends in a large Gothic finial; other mouldings run up the cornice at the angles, and the whole, crowned with battlements, ends in a short round whitewashed spire. Some miles from Evora among the mountains, Affonso of

Cold of Portugal Extortion prevented Sensation of Loneliness The Dog The Convent Enchanting Landscape Moorish Fortresses Prayer for the Sick. About a fortnight after my return from Evora, having made the necessary preparations, I set out on my journey for Badajoz, from which town I intended to take the diligence to Madrid.

His situation being desperate, Marraja endeavoured the night to escape with the smaller vessels, leaving his large gallies at the mercy of the Portuguese, but was prevented by the vigilance and bravery of Vasquez de Evora, who cut off many of his men, not without some loss on his own side, having one of his arms carried off.

If the cloister at Evora, which was built in 1376 and has already been described, is the one which departs furthest from the original type, retaining only the round opening, that of the cathedral of Oporto, built in 1385, comes nearer to Fontfroide than any of the others.

The Spanish general, Rodil, immediately crossed the frontier. He met with no resistance, and on May 26 Miguel signed a convention at Evora, by which he accepted a pension, renounced his rights to the Portuguese throne, and agreed to quit the country.

Badajoz lies about a hundred miles distant from Lisbon, and is the principal frontier town of Spain in the direction of the Alemtejo. To reach this place, it was necessary to retravel the road as far as Monte More, which I had already passed in my excursion to Evora; I had therefore very little pleasure to anticipate from novelty of scenery.

Still, the sacred symbol is the same, and the reverence and the devotion are the same. There is an excessive hierarchy for the size of the country, there being in Portugal proper three ecclesiastical provinces, ruled respectively by the Patriarch of Lisbon and by the Archbishops of Braga and Evora.

Of course some churches described in the last chapter may be actually of that period though belonging artistically and constructionally to an earlier time, as for instance a large part of the cathedral of Evora or the church of São João at Santarem.

Another Netherlander who painted at Evora was Frey Carlos, who came to Espinheiro close by in 1507. Several of his works are in the Museum at Lisbon. When Dom Manoel was enriching the old Templar church at Thomar with gilding and with statues of saints, he also caused large paintings to be placed round the outer wall.

As usual the whole, except the windows and the angles, is plastered and has a sgraffito frieze running round under the cornice. There is a large porch on the north side covering a stair leading to the upper floor, where most of the windows are of two lights and very like those of the pavilion at Evora.

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