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Though singing with a faulty method, Giovanni Davide had a voice of such magnificent compass and quality as to produce with it the most electrical effects. M. Edouard Bertin gives an interesting account of him in a letter from Venice dated 1823: "Davide excites among the dilletanti of this town an enthusiasm and delight which can hardly be conceived without having been witnessed.

Ridolfo was the only one who chose the family profession, and he became the fourth painter of the name of Ghirlandajo. Davide was not a perfect artist, although a good mosaicist, as his works in the cathedrals of Orvieto, Siena, and Florence show, but he was for many years Ridolfo's only instructor.

Although not strictly a scholar, he is one of Fra Bartolommeo's principal followers. When quite a child he lost his father, the famous Domenico, who died of fever, on January 11th, 1494; his mother and uncle Benedetto only lived a few years after; and Ridolfo, with his three sisters and two brothers, was left to the guardianship of his uncle Davide.

Giacomo Davide, the elder, whose prime was between 1770 and 1800, was pronounced by Lord Mount Edgecumbe the first tenor of his time, possessing a powerful and well-toned voice, great execution as well as knowledge of music, and an excellent style of singing. His son Giovanni, who became better known than himself, was his pupil.

Doubtless the way in which Garcia* plays and sings the part of Otello is preferable, taking it all together, to that of Davide; it is pure, more severe, more constantly dramatic; but with all his faults Davide produces more effect, a great deal more effect. There is something in him, I can not say what, which, even when he is ridiculous, entrances attention.

They were not more content with convent fare than was Davide Ghirlandajo, when the only delicacy supplied him at Vallombrosa was cheese; and to revenge themselves, they stole round the cloister after the circular sliding panels by which the rations were sent into the monks' cells were filled, and feasted on the meals made ready for the good brothers.

The elder Davide, whose reputation at that time had no equal, even Crescentini being placed second to him, said on hearing him sing, "There are only two singers in the world, I and the Englishman." Braham had one great advantage over his rivals in this, that his knowledge of the science of music in all its most abstruse difficulties was thorough.

The Italian public, in spite of such criticism, very soon accepted the opera of "Otello" as the greatest serious opera ever written for their stage. It owed much, however, to the singers who illustrated its rôles. Mme. Colbran, afterward Rossini's wife, sang Desdemona, and Davide, Otello. The latter was the predecessor of Rubini as the finest singer of the Rossinian music.

Two Dutch battalions were attacked and taken by the duke of Berwick at Sodreira Formosa. Then he passed the Tagus, and joined prince Tserclas. King Philip arriving in the army, invested Portalegre; and the garrison, including an English regiment of foot commanded by colonel Stanhope, were made prisoners of war. The next place he besieged was Castel Davide, which met with the same fate.