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Of military organisation, discipline, authority, law, as these are understood by civilised nations, there was nothing whatever. Men in well-worn velveteens and felt billycocks, hobnobbed with men in the gaudiest uniforms ever evolved by the theatrical costumier.

She was rather tall, and her gray dress, simple and quite well-cut, did not hide the fact that her figure was beautiful. It was a figure that might have appealed more to the sculptor than to the costumier. Her hair, brown and abundant, was plainly done, her face was very pale, and her features were good without being distinguished. She had quiet gray eyes.

It was the latter consideration rather more than the first which decided me to give my gracious consent. Mrs. Ess Kay telegraphed to a costumier, who was also an artist. He came, made a few practical alterations in Potter's design, and arranged costumes for Mrs. Ess Kay and Sally.

It consisted of twenty-nine principal and many accessory figures, the more important ones carrying scrolls stating who they were. The dresses were not equal to those one expects to see at a leading London theatre, but the peasants of the neighbourhood are unaccustomed to contemplate the triumphs of the modern theatrical costumier.

I was to play eight pieces: Hernani, Phedre, Adrienne Lecouvreur, Froufrou, La Dame aux Camelias, Le Sphinx, L'Etrangere, and La Princesse Georges. I ordered twenty-five modern dresses at Laferriere's, of whom I was then a customer. At Baron's I ordered six costumes for Adrienne Lecouvreur and four costumes for Hernani. I ordered from a young theatre costumier named Lepaul my costume for Phedre.