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'Whatever I have said to the disadvantage of these three poems, holds much stronger against Tasso's 'Gierusalemme': it is true he has very fine and glaring rays of poetry; but then they are only meteors, they dazzle, then disappear, and are succeeded by false thoughts, poor 'concetti', and absurd impossibilities; witness the Fish and the Parrot; extravagancies unworthy of an heroic poem, and would much better have become Ariosto, who professes 'le coglionerie'.
It is, also, the source of half the tales, novels, and plays, that have been written since. The 'Pastor Fido' of Guarini is so celebrated, that you should read it; but in reading it, you will judge of the great propriety of the characters. A parcel of shepherds and shepherdesses, with the TRUE PASTORAL' SIMPLICITY, talk metaphysics, epigrams, 'concetti', and quibbles, by the hour to each other.
But they will find none of their own favourite concetti; hardly even a metaphor; no taint of this new poetic diction into which we have now fallen, after all our abuse of the far more manly and sincere "poetic diction" of the eighteenth century; they will find no loitering by the way to argue and moralise, and grumble at Providence, and show off the author's own genius and sensibility; they will find, in short, two real works of art, earnest, melodious, self-forgetful, knowing clearly what they want to say, and saying it in the shortest, the simplest, the calmest, the most finished words.
From what I have said, you will easily guess that I meant to put you upon your guard; and not let your fancy be dazzled and your taste corrupted by the concetti, the quaintnesses, and false thoughts, which are too much the characteristics of the Italian and Spanish authors.
But they will find none of their own favourite concetti; hardly even a metaphor; no taint of this new poetic diction into which we have now fallen, after all our abuse of the far more manly and sincere "poetic diction" of the eighteenth century; they will find no loitering by the way to argue and moralise, and grumble at Providence, and show off the author's own genius and sensibility; they will find, in short, two real works of art, earnest, melodious, self-forgetful, knowing clearly what they want to say, saying it in the shortest, the simplest, the calmest, the most finished words.
The king desired to become acquainted with the piece. He had it read by Madame de Campan, lady of the chamber to the queen, and very much in her confidence. The taste and the principles of Louis XVI. were equally shocked. "Perpetually Italian concetti!" he exclaimed.
From what I have said, you will easily guess that I meant to put you upon your guard; and not let your fancy be dazzled and your taste corrupted by the concetti, the quaintnesses, and false thoughts, which are too much the characteristics of the Italian and Spanish authors.
The Aminto del Tasso, is much more what it is intended to be, a pastoral: the shepherds, indeed, have their 'concetti' and their antitheses; but are not quite so sublime and abstracted as those in Pastor Fido. I think that you will like it much the best of the two.
Voiture has made several stanzas upon an accident of that kind, which happened to a lady of his acquaintance. There is a great deal of wit in them, rather too much; for, according to the taste of those times, they are full of what the Italians call 'concetti spiritosissimi'; the Spaniards 'agudeze'; and we, affectation and quaintness.
I will now for one indicative moment lock horns with what many Think the greatest thing, the question of art, so-call'd. I have not seen without learning something therefrom, how, with hardly an exception, the poets of this age devote themselves, always mainly, sometimes altogether, to fine rhyme, spicy verbalism, the fabric and cut of the garment, jewelry, concetti, style, art.
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