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Updated: May 14, 2025


"Especially after a good meal." "And you can sing?" "Yes," returned Passepartout, who had formerly been wont to sing in the streets. "But can you sing standing on your head, with a top spinning on your left foot, and a sabre balanced on your right?" "Humph! I think so," replied Passepartout, recalling the exercises of his younger days. "Well, that's enough," said the Honourable William Batulcar.

"What do you want?" said he to Passepartout, whom he at first took for a native. "Would you like a servant, sir?" asked Passepartout. "A servant!" cried Mr. Batulcar, caressing the thick grey beard which hung from his chin.

"I already have two who are obedient and faithful, have never left me, and serve me for their nourishment and here they are," added he, holding out his two robust arms, furrowed with veins as large as the strings of a bass-viol. "So I can be of no use to you?" "None." "The devil! I should so like to cross the Pacific with you!" "Ah!" said the Honourable Mr. Batulcar.

Batulcar, was to commence at three o'clock, and soon the deafening instruments of a Japanese orchestra resounded at the door. Passepartout, though he had not been able to study or rehearse a part, was designated to lend the aid of his sturdy shoulders in the great exhibition of the "human pyramid," executed by the Long Noses of the god Tingou. This "great attraction" was to close the performance.

"Especially after a good meal." "And you can sing?" "Yes," returned Passepartout, who had formerly sung in street concerts. "But can you sing standing on your head, with a top spinning on your left foot, and a sabre balanced on your right?" "Humph! I think so," replied Passepartout, recalling the exercises of his younger days. "Well, that's enough," said the Honorable William Batulcar.

That gentleman was a sort of Barnum, the director of a troupe of mountebanks, jugglers, clowns, acrobats, equilibrists and gymnasts, who, according to the placard, was giving his last performances before leaving the Empire of the Sun for the States of the Union. Passepartout entered and asked for Mr. Batulcar, who straightway appeared in person.

That gentleman was a sort of Barnum, the director of a troupe of mountebanks, jugglers, clowns, acrobats, equilibrists, and gymnasts, who, according to the placard, was giving his last performances before leaving the Empire of the Sun for the States of the Union. Passepartout entered and asked for Mr. Batulcar, who straightway appeared in person.

Batulcar, was to commence at three o'clock, and soon the deafening instruments of a Japanese orchestra resounded at the door. Passepartout, though he had not been able to study or rehearse a part, was designated to lend the aid of his sturdy shoulders in the great exhibition of the "human pyramid," executed by the Long Noses of the god Tingou. This "great attraction" was to close the performance.

"What do you want?" said he to Passepartout, whom he at first took for a native. "Would you like a servant, sir?" asked Passepartout. "A servant!" cried Mr. Batulcar, caressing the thick grey beard which hung from his chin.

Fogg, Aouda and Passepartout passed through the lobby of the theatre to the outside, where they encountered the Honorable Mr. Batulcar, furious with rage. He demanded damages for the "breakage" of the pyramid; and Phileas Fogg appeased him by giving him a handful of banknotes. At half-past six, the very hour of departure, Mr.

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