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Updated: May 10, 2025


"The Abbe's in a dreadful hurry: I can't follow him at all," said the aged dowager, shaking her head-dress with bewilderment. Master Arnoton, his great steel spectacles on his nose, searched in his prayer-book where the deuce the words could be.

Suddenly, toward midnight, a chime sounded up above from a clock, an old, old chime which seemed six leagues away. Pretty soon, on the ascending road, Garrigue saw lights trembling in the uncertain shadows. Under the porch of the chapel somebody walked, somebody whispered: "Good-evening, Master Arnoton." "Good-evening, good-evening, my children."

Occasionally the glass windows in some lord’s carriage, preceded by torch-bearers, would glisten in the moon-light on the rough ascent; or perhaps a mule would jog by with tinkling bells, and by the light of the misty lanterns the tenants would recognize their bailiff and would salute him as he passed with: “Good evening, Master Arnoton.” “Good evening. Good evening, my friend.”

Suddenly, about midnight, a chime sounded from the top of the steeple, an old, old chime, which seemed as if it were ten leagues off. Very soon Garrigue saw lights flitting about, and uncertain shadows moving in the road that climbs the hill. They passed on beneath the chapel porch, and murmured: “Good evening, Master Arnoton!” “Good evening, good evening, my friends!” ...

Now and again on the rough ascent, the coach of some seigneur, preceded by torch-bearing porters, reflected in its glasses the cold moonlight; or, maybe, a mule trotted along shaking his bells, and in the light of the lanterns covered with frost, the farmers recognized their bailiff and saluted him as he passed: "Good-evening, good-evening, Master Arnoton."

The abbé goes too fast.... One can’t follow him,” murmured the old dowager, shaking her head-dress in confusion. Master Arnoton with great steel spectacles on his nose is searching in his prayer-book to find where the dickens they are.

Further down, dressed in black, with vast pointed perukes and shaven faces, are the bailiff, Thomas Arnoton, and the notary, Master Ambroy, two grave objects among the flowing silks and figured damasks. Then come the fat majordomos, the pages, the grooms, the attendants; dame Barbe, all her keys suspended at her side on a ring of thin silver.

Lower down, dressed in black, with punctilious wigs, and shaven faces, like two grave notes among the gay silks and the figured damasks, are seen the bailiff, Thomas Arnoton, and the notary Master Ambroy. Then come the stout major-domos, the pages, the horsemen, the stewards, Dame Barbara, with all her keys hanging at her side on a real silver ring.

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