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And they have to try it on the other side, and say little! But we are forgetting the Peace-Treaty itself, which still demands a few words. Kleist's raid into the Reich had a fine effect on the Potentates there; and Plotho's Offer was greedily complied with; the Kaiser, such his generosity, giving "free permission."

Three Columns he has, besides the Baggage one: in number about equal to Ziethen's; if perhaps otherwise, rather the chosen Half; about 8,000 grenadier and footguard people, with Kleist's Hussars, are Friedrich's own Column.

Long before this time, the patriotic uprising for which he had labored with desperate zeal in his later works, had brought liberation to Germany; it was on the thirty-sixth anniversary of Kleist's birth that Napoleon's power was shaken by the decisive Battle of Leipzig. Heinrich von Kleist was born into a generation that was dominated by the spirit of Romanticism.

The performances were chiefly of the stirring historical kind Schiller's "Wilhelm Tell," Goethe's "Götz von Berlichingen," Kleist's "Prince von Hornburg," and others that require huge processions and a crowded stage. The general public were not supposed to attend the performances, but tickets were sent to the factories and workshops for sale at a low price.

Musschenbroek's discovery was made within a short time after Von Kleist's in fact, only a matter of about two months later. But the difference in the reputations of the two discoverers insured a very different reception for their discoveries.

After a year of quiet work, he was enabled, by a small pension from Queen Louise, to resign his office and again devote himself to literature. The two years spent in Königsberg were years of remarkable development in Kleist's literary power.

Kleist's joy at the acceptance of The Broken Jug by Goethe for the Weimar theatre was turned to bitterness when, because of unintelligent acting and stage management, this brilliant comedy failed wretchedly; the disappointed author held Goethe responsible for this fiasco and foolishly attacked him in a series of spiteful epigrams.

To the horror and amazement of the French, to the surprise and joy of the Allies, Kleist's corps of Prussians showed themselves on the heights; and, descending by the only road which Vandamme had counted upon as open, placed him entirely in a cul de sac. The French were utterly confounded.

When, later in life, Görres remarked of these journals that their collaborators felt as if they were accompanying the Holy Roman Empire to its grave, he was thinking of the year in which the most important of them flourished, 1808. In this, Germany's darkest period, Kleist's Phoebus, so cordially hated by many, and Arnim's Journal for Hermits had their brief but influential career.

The ancient Germanic chiefs Marbod and Arminius, representing in Kleist's intention the Austria and Prussia of his day, are animated by one common patriotic impulse, rising far above their mutual rivalries, to cast off the hateful and oppressive yoke of Rome; and after the decisive victory over Varus in the Teutoburg Forest, each of these strong chiefs is ready in devoted self-denial to yield the primacy to the other, in order that all Germans may stand together against the common foe.