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Actualizado: 9 de junio de 2025
In school he was particularly brilliant and showed remarkable aptitude in the study of Latin, rhetoric, and literature. These school days were interrupted once by a truant flight to the north of Spain, but at Astorga, near the ancestral estate of Vega, Lope, weary of the hardships of travel, turned back to Madrid.
Las dos hermanas comenzaron a cantar: If I had but two little wings And were a little feathery bird, etc. Sus voces suaves y penetrantes tenían en aquel profundo silencio una exquisita sonoridad. El abate no oía nada, ni se movía. Encantado con este pequeño concierto, Juan se decía: ¡Con tal que mi padrino no se despierte pronto!
With the exception of the stage, a part of the benches and the aposentos, the whole was in the open air and unprotected from the weather. In such unpretentious places the masterpieces of Lope de Vega and of many of his successors were presented. With this environment in mind we shall proceed to a brief review of the dramatic works of el Fénix de los ingenios.
In this edition of Fortuna some words and sentences have been omitted from the text because they were uninteresting and unimportant. In a few cases expressions have been left out because they were unusual and therefore not adapted to elementary instruction. In the exercises there is an abundance of direct-method material. Each of the exercises consists of four parts.
Lope de Vega found the Spanish drama a mass of incongruities without form, preponderating influence, or type, he left it in every detail a well-organized, national drama, so perfect that, though his successors polished it, they added nothing to its form. When or how he began this great work, it is not certain. He says in his works that he wrote plays as early as his eleventh year and conceived them even younger, and we have one of his plays, El Verdadero Amante, written, as has been mentioned, when he was twelve, but corrected and published many years later. Of all his plays written before his banishment, little is known but it is natural to suppose that they resembled in a measure the works of predecessors, for this period must be considered the apprenticeship of Lope. Though written for the author's pleasure, they were evidently numerous, for Cervantes says that Lope de Vega "filled the world with his own comedias, happily and judiciously planned, and so many that they covered more than ten thousand sheets." That his merit was soon appreciated is evident from the fact that theatrical managers were anxious to have these early compositions and that during his banishment he supported himself and family in Valencia by selling plays and probably kept the best troupes of the land stocked with his works alone. Of the number of his works the figures are almost incredible. In El Peregrino en su Patria, published in 1604, he gives a list of his plays, which up to that time numbered two hundred and nineteen; in 1609 he says, in El Arte Nuevo de hacer Comedias, that the number was then four hundred and eighty-three; in prologues or prefaces of his works Lope tells us that he had written eight hundred plays in 1618, nine hundred in 1619 and one thousand and seventy in 1625. In the
A monk of another order said of it in the seventeenth century: "It is the pleasantest place of all about Mexico.... Were all deserts like it, to live in a desert were better than to live in a city." Después de este abrazo volvimos a montar a caballo, y continuamos nuestro camino en silencio, porque la emoción nos embargaba la voz.
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