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In the evenings there would be a concert, with the artists from the Conservatoire to sing the chorus from Armide, "Jamais en ces beaux lieux," the orchestra performing the symphony in A, and a solo on the horn by Vivier; or else Auber would bring the Opera Comique troupe, Roger, Chollet, and Anna Thillon; or else Arnot played L'Humonste with Mdme. Doche. There were Cabinet Ministers there as well.
Chollet, still remains their principal singer; his voice is good, so is his knowledge of music, but he is now no longer young nor ever was handsome, but always a favourite with the public; he is supported by Roger who takes the rôles of young lovers, by Grard who has a fine bass voice, and Mocker with a good tenor; amongst the females is our countrywoman Anna Thillon, who is exceedingly admired, and at present the great attraction, she is pretty, lively, or sentimental, as her part may require, her voice is pleasing and it may be said that she is quite a pet with the Parisians; she is an excellent actress, and appears at home in every part she undertakes.
He grew sad and melancholy, and during the last three years of his life was attacked by fits of abstraction which gradually intensified and ended in insanity and physical paralysis. He died at Bergamo, April 8, 1848. Georges, was first produced at the Opera Comique, Paris, Feb. 11, 1840, with Mme. Anna Thillon in the rôle of Marie.
Anna Thillon, a charming singer and most fascinating woman, as Catarina; but its success was made at Drury Lane in 1854 by Louisa Pyne and Harrison, who took the parts of Catarina and Don Henrique. The other rôles, Count de Campo Mayor, Don Sebastian, Rebolledo, and Diana, were filled by Mr. Horncastle, Mr. Reeves, Mr.
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