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Updated: May 7, 2025
A Venetian piano-teacher, Tessarin by name, was more successful than Winterberger in winning favour with me. He was a typical handsome Venetian, with a curious impediment in his speech; he had a passion for German music, and was well acquainted with Liszt's new compositions, and also with my own operas. He admitted that having regard to his surroundings he was a 'white raven' in matters musical.
One day, when I was sauntering up and down the Riva with Tessarin, we came upon a fairly large crowd of strangers, who, with a mixture of respect and curiosity, were watching the Archduke Maximilian and his wife as they were taking the air during a short visit to Venice.
After a frugal dinner with my old acquaintances Tessarin and the Wesendoncks, whom I invited to the Albergo San Alarco, and once more exchanging friendly greetings with Luigia, my former attendant at the Palazzo Giustiniani, to the astonishment of my friends I suddenly left Venice.
Nevertheless he displayed a more highly intelligent appreciation than before of the development of the second act of Tristan, in which I had at last made regular progress. In the evening I frequently played to him, Winterberger and Tessarin, the portions I had completed during the day, and they were always deeply moved.
On only one occasion did any stranger succeed in interrupting my seclusion, and then it was because his appearance had pleased me when I had met him in the Albergo San Marco; this was Rahl the painter, from Vienna. I once went so far as to arrange a sort of soiree for him, Prince Dolgoroukow, and Tessarin the pianoforte teacher, at which a few of my pieces were played.
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