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Updated: May 24, 2025
Dürer took a common brush, and painted a long tress of fine hair: Bellini declared that had he not seen this done he could not have believed it. While in Venice Dürer received an order to paint a picture for the Fondaco de' Tedeschi, or German Exchange. It is believed that this work was the famous "Feast of Rose Garlands," now in the Monastery at Strahow, in Bohemia.
The Emperor Rudolph II. bought it, and had it carried from Venice to Prague on men's shoulders. In 1782 it was purchased for the Abbey of Strahow, and was almost lost to the world for many years. It is a beautiful picture, and the praise it received was a great pleasure to Dürer, because heretofore many painters had said that he was a good engraver, but could not use colors.
He who loves to muse amid the cloisters of a monastery, or delights to recreate himself amid the "Temple's holy gloom," will find the freest scope for the indulgence of his humours, on the opposite side of the Moldau; and as our tastes reverted to that channel, after sufficient time had been devoted to other matters, it may not be amiss if I state some of the occurences that befell during our second visit to the Hradschin and the Strahow.
We climbed the Strahow, inspected the monastery that crowns its summit, admired the fine library, and gazed with reverence on the autograph of Tycho Brahe; we wandered round the ramparts; we surveyed the field of the battle of Prague; we examined more minutely the ground on which Ziska had fought and conquered; we left nothing unexplored, in short, which we found that it was possible to bring within the scope of general observation; nor permitted any matter, concerning which curiosity had been excited, to pass without investigation.
In the Gallery at Bamberg may be seen her portrait of the founder, J. Hemmerlein; in the Nostitz Gallery, Prague, a portrait of the Archduke Charles; in Strahow Abbey, Prague, a "Madonna"; and in the church at Owencez, near Prague, an altar-piece. <b>KUNTZE, MARTHA.</b> Born in Heinrichsdorf, Prussia, 1849. Pupil of Steffeck and Gussow in Berlin.
Nicholas, a church of the Jesuits, in the foreground: there is Wallenstein's palace, gathered round the base of the rock, and testifying to the enormous wealth and princely expenditure of its founder; here, on the right, is the Lobkowitz palace, with its gardens, rising step by step upon the side of the adjacent hill, over which, like a diadem, stands the Premonstratensian convent of Strahow, an edifice imperfect in its proportions, yet as a whole strikingly effective.
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