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Updated: May 25, 2025
<b>BUECHMANN, FRAU HELENE.</b> Her pictures have been seen at some annual exhibitions in Germany, but she is best known by her portraits of celebrated persons. Born in Berlin, 1849. Pupil of Steffeck and Gussow. Among her portraits are those of Princess Carolath-Beuthen, Countess Brühl, Prince and Princess Biron von Kurland, and the youngest son of Prince Radziwill. She resides in Brussels.
His love for art was so pronounced that his father, like the father of Mendelssohn, let him follow his bent, and at fourteen he was placed under the tutelage of Steffeck, an old-timer, whose pictures nowadays seem a relic from some nightmare of art. Steffeck had studied under Schadow, another of the prehistoric Dinosaurs of Germany, and boasted of it.
In the Gallery at Bamberg may be seen her portrait of the founder, J. Hemmerlein; in the Nostitz Gallery, Prague, a portrait of the Archduke Charles; in Strahow Abbey, Prague, a "Madonna"; and in the church at Owencez, near Prague, an altar-piece. <b>KUNTZE, MARTHA.</b> Born in Heinrichsdorf, Prussia, 1849. Pupil of Steffeck and Gussow in Berlin.
But perhaps the Hungarian helped him to build a bridge between the antique formula of Steffeck and the modern French that is, the Impressionists. Max had to burn many bridges behind him before he formed a style of his own. Individuality is not always born, it is sometimes made, despite what the copy-books assure us to the contrary.
This led to her painting portraits of various members of the royal family while she was still a pupil of De Zichys. After her marriage she established herself in Paris, where she endeavors to preserve an incognito as an artist in order to work in the most quiet and devoted manner. <b>GOEBELER, ELISE.</b> This artist studied drawing under Steffeck and color under Dürr, in Munich.
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