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The only picture or call it atavism if you will which adorned Miss Slayback's dun-colored walls was a passe-partout snowscape, night closing in, and pink cottage windows peering out from under eaves. She could visualize that interior as if she had only to turn the frame for the smell of wood fire and the snap of pine logs and for the scene of two high-back chairs and the wooden crib between.
There was that picture so acidly etched into Miss Slayback's brain that she had only to close her eyes in the slit-like sanctity of her room and in the brief moment of courting sleep feel the pink penumbra of her vision begin to glow. Of late years, or, more specifically, for two years and eight months, another picture had invaded, even superseded the old. A stamp-photograph likeness of Mr.
The give of velvet-upholstered chairs, perfumed darkness, and any old love story moving across it to the ecstatic ache of Gertie Slayback's high young heart.
James P. Batch in the corner of Miss Slayback's mirror, and thereafter No Man's slippers became number eight-and-a-half C, and the hearth a gilded radiator in a dining-living-room somewhere between the Fourteenth Street Subway and the land of the Bronx. How Miss Slayback, by habit not gregarious, met Mr.
True, Gertie Slayback's mise en scène was a two-room kitchenette apartment situated in the Bronx at a surveyor's farthest point between two Subway stations, and her present state one of frequent red-faced forays down into a packing-case. But there was that in her eyes which witchingly bespoke the conquered, but not the conqueror.
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