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Updated: June 3, 2025
Death of Artaxerxes I. and Accession of Sapor I. War of Sapor with Manizen. His first War with Rome. Invasion of Mesopotamia, A.D. 241. Occupation of Antioch. Expedition of Gordian to the East. Recovery by Rome of her lost Territory. Peace made between Rome and Persia. Obscure Interval. Second War with Rome. Mesopotamia again invaded, A.D. 258. Valerian takes the Command in the East.
These opinions, in the final analysis, were reduced to two: that of Sapor and Lapersonne who advised abstention, and that of Phoenix and Larrivee, who wanted intervention. Even these two contrary opinions were united in a common hatred of the heads of the army and of their justice, and in a common belief in Pyrot's innocence.
But the ruin of Amida was the safety of the Roman provinces. As soon as the first transports of victory had subsided, Sapor was at leisure to reflect, that to chastise a disobedient city, he had lost the flower of his troops, and the most favorable season for conquest.
It must have been during the emperor's stay at Antioch that he received an embassy from the court of Persia, commissioned to sound his inclinations with regard to the conclusion of a peace. Sapor had seen, with some disquiet, the sceptre of the Roman world assumed by an enterprising and courageous youth, inured to warfare and ambitious of military glory.
They besieged and captured the place after defeating the greatest force that Parthia could bring into the field against them. Julian found himself in front of Ctesiphon before he had crossed swords with the Persian king, or so much as set eyes on the grand army which Sapor was known to have collected.
The season was too far advanced for any fresh enterprise of importance; and Sapor was probably glad to give his army a rest after the toils and perils of the last three months.
That was but too true, he said, which had been reported to us, that whenever the proud Sapor went forth to mount his horse, the Emperor was brought, in the face of the whole court, and of the populace who crowded round, to serve as his footstool. Clothed in the imperial purple, the unfortunate Valerian received upon his neck the foot of Sapor, and bore him to his saddle.
Prince Hormisdas, the elder brother of Sapor, and rightful king of Persia, had, after a long imprisonment, contrived, by the help of his wife, to escape from his dungeon, and had fled to the court of Constantine as early as A.D. 323. He had been received by the emperor with every mark of honor and distinction, had been given a maintenance suited to his rank, and had enjoyed other favors.
Besides remains of buildings, they comprise a number of bas-reliefs and rock inscriptions, some of which were, beyond a doubt, set up by Sapor I. In one of the most remarkable, the Persian monarch is represented on horseback, wearing the crown usual upon his coins, and holding by the hand a tunicked figure, probably Miriades, whom he is presenting to the captured Romans as their sovereign.
After the time of Sapor I. there is a manifest decline in Sassanian art. The reliefs of Varahran II. and Varahran III., of Narses and Sapor III., fall considerably below those of Sapor, son of Artaxerxes. Indications have already appeared in an earlier chapter of this monarch's encouragement of artists, and of a kind of art really meriting the name.
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