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Updated: May 12, 2025
A physician, he said. And if you were resolved to go to Polycleitus the Argive, or Pheidias the Athenian, and were intending to give them money, and some one had asked you: What are Polycleitus and Pheidias? and why do you give them this money? how would you have answered? I should have answered, that they were statuaries. And what will they make of you? A statuary, of course.
Many hundred years ago there were still some famous painters, such as those named Phidias, Praxiteles, Apelles, Polycleitus, Parrhasius, Lysippus, Protogenes, and the rest, some of whom wrote about their art and very artfully described it and gave it plainly to light: but their praise-worthy books are, so far, unknown to us, and perhaps have been altogether lost by war, driving forth of the peoples, and alterations of laws and beliefs a loss much to be regretted by every wise man.
He bids men not to be deceived by the flowery words of Cicero, when he describes Cato as an old man, like to a fair statue of Polycleitus, with faculties unimpaired and memory fresh and green.
And I have also attempted to show that you are not to wonder at good fathers having bad sons, or at good sons having bad fathers, of which the sons of Polycleitus afford an example, who are the companions of our friends here, Paralus and Xanthippus, but are nothing in comparison with their father; and this is true of the sons of many other artists.
Science is a term we use principally in two meanings: in the first place, in the Arts we ascribe it to those who carry their arts to the highest accuracy; Phidias, for instance, we call a Scientific or cunning sculptor; Polycleitus a Scientific or cunning statuary; meaning, in this instance, nothing else by Science than an excellence of art: in the other sense, we think some to be Scientific in a general way, not in any particular line or in any particular thing, just as Homer says of a man in his Margites; "Him the Gods made neither a digger of the ground, nor ploughman, nor in any other way Scientific."
His contemporaries, Myron and Polycleitus, who carried the athletic art of Peloponnesus almost to its highest point, were celebrated, Myron for the rhythm in motion which he infused into his sculpture, Polycleitus for the careful balance of his athletes and the system of proportion which he embodied in their figures.
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