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Updated: June 20, 2025
This feature of his young wife's character aroused the Moro's highest admiration. In a letter of the 8th of July, after recounting the various incidents of a long day's hunting, he tells the Marchesa what a narrow escape Beatrice has had from an infuriated stag which gored her horse.
There the two artists who had lived together for many years in the Moro's service conversed sadly of the terrible catastrophe which had overwhelmed their old master in sudden and inevitable ruin, and mourned over the disastrous fate which had plunged the fair Milanese into confusion and misery.
If the intellectual movement which took place during the twenty years of Lodovico Moro's rule in Milan commanded general admiration; if learning flourished there as it had never done before, the widespread revival of art in Lombardy was a still more remarkable feature of the period.
It was, no doubt, his sense of the youthful Moro's talents that made Francesco choose him, at the age of thirteen, to be the leader of the body of three thousand men which were to join in the Crusade preached by Pope Pius II. On the 2nd of June, 1464, the ducal standard, bearing the golden lion of the house of Sforza and the adder of the Visconti, was solemnly committed to the charge of the young Crusader, before the eyes of the whole court, on the piazza in front of the old palace, which was gaily decorated for the occasion with garlands and tapestries.
Within, the spacious halls were lavishly adorned with gilding and variegated marble, with fine pictures and the painted cassoni and chairs which we still admire on old Venetian palaces, while the tapestries and hangings bearing Sforza devices and the Moro's favourite mottoes met Beatrice's eyes at every turn.
It was then, too, in all likelihood, that he was confined in the subterranean dungeon, still shown as the Moro's prison. The cell, as visitors to Loches remember, is cut out of the solid rock, and light and air can only penetrate by one narrow loophole.
On the 3rd of May, the duke's discarded mistress gave birth to a son, who received the name of Cesare; and in the following July, Cecilia Gallerani was married to Count Lodovico Bergamini of Cremona, one of the Moro's most loyal servants and subjects.
Fortunately, the news of this act of vandalism reached the ears of the Carthusians at Pavia, and remembering how much they owed to the Moro's generosity, they sent word to a Milanese citizen, Oldrado Lampugnano, to purchase the two marble statues for the Certosa.
The faithful servants who had followed him into exile, saw their lands and houses confiscated and divided among the victors. The Count of Ligny's mother occupied the Marchesino Stanga's house, and Trivulzio's triumph over his rivals was complete when he received the Moro's palace of Vigevano and Messer Galeazzo's fair domain of Castel Novo as his share of the spoils.
Great were the rejoicings among the Moro's enemies when the news of his capture was made known. King Louis ordered solemn Te Deums to be chanted in Notre Dame of Paris, and himself went in state to give thanks in the church of Our Lady of Comfort at Lyons, while he extolled La Trémouille as another Clovis or Charles Martel in his despatches.
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