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Mhtoon Pah was as well known as the pointing effigy outside, but, whereas the world in the street believed they knew what the wooden man pointed at, no one could ever tell what Mhtoon Pah saw, and no one knew except Mhtoon Pah himself.

For another hour his time was free to watch the street, and without attaching any particular consequence to the fact, he saw Mhtoon Pah get up, rub his hands on his knees and lift his chair inside the door, which he closed with a noise of dragging chains and creaking bolts.

Silver bands, embossed in relief with the history of the Gaudama the Lord Buddha stood under glass protection, and everything that the heart of the touring American or Britisher could desire was to be had, at a price, in the curio shop of Mhtoon Pah.

Paradise Street was not behindhand in the matter of entertainment: there was a wedding festival in progress, and, at the modest café, a thick concourse of men talking and singing and enjoying life after their own fashion; only the house of Mhtoon Pah, the curio dealer, was dark, and it was before this house, close to the figure of the pointing man, that the weedy-looking Burman who had come out of Hartley's compound stopped for a moment or two.

It was a heavy carved teak screen, inset with silk panels embroidered with a long spray of hanging wistaria on a dark yellow ground. As he hid himself, he cursed his own stupidity. In the excitement of his desire to enter the curio shop, he had forgotten to hamper the lock with pebbles. After what seemed an age, the door opened slowly and Mhtoon Pah came in.

It was next to impossible to discover what the truth was about Leh Shin's illness on the night of July the 29th, and it really did not bear very much upon the matter, unless there was no other clue to what had become of the boy. Hartley returned to other matters and put the case on one side for the moment. On his way back for luncheon he looked in at Mhtoon Pah's shop.

Whispering winds came out and rang the Temple bells, but even when the breeze strengthened, the rain-clouds held off. It became a matter for compliment and congratulation, and Mhtoon Pah accepted his friends' flattery without pride.

Leh Shin, the Chinaman, was Bazaar dust to his dignity, and he knew naught of him, save only that the man had an evil name earned by evil deeds, and Shiraz, who was as crafty as Mhtoon Pah, saw that he had come to a "no thoroughfare" and turned his wits towards Leh Shin.

Mhtoon Pah, immense and splendid in his silk, had given forth wild noises as he produced the rag, noises that reminded Hartley irresistibly of the trumpeting of elephants, but they were terrible to hear. "It is enough," he said, his face quivering. "This is the work of the Chinamen. They slit his veins, Thakin, they are doing it slowly.

I sat myself outside the shop at sunset to watch the street, and had sent Absalom forth upon a business, a private business: he was a good boy. Many saw him go out, but no one saw him return." "That is no use, Mhtoon Pah; you must give me some names. Who saw the boy besides yourself?" Mhtoon Pah opened his mouth twice before any sound came, and he beat his hands together.