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Forty years later, another young scholar, JEAN DE MEUNG, added to the 4000 lines which Lorris had left no fewer than 18,000 of his own. This vast addition was not only quite out of proportion but also quite out of tone with the original work.
Then Petrarch, Boccaccio, and the Provencal poets, are his benefactors: the Romaunt of the Rose is only judicious translation from William of Lorris and John of Meun: Troilus and Creseide, from Lollius of Urbino: The Cock and the Fox, from the Lais of Marie: The House of Fame, from the French or Italian: and poor Gower he uses as if he were only a brick-kiln or stone-quarry out of which to build his house.
To the gross salt of Jean de Meung, even more than to the courtly perfume of Guillaume de Lorris, may be ascribed the long-lived popularity of the "Roman de la Rose"; and thus a work, of which already the theme and first conception imply a great step forwards from the previous range of mediaeval poetry, became a favourite with all classes by reason of the piquancy of its flavour, and the quotable applicability of many of its passages.
Lorris en Gatinais, a town on the demesne of the French monarchy, received from Louis VI a set of privileges which became the standard for the numerous villes de bourgeoisie founded under the immediate sway of the Capetian dynasty. But the charters thankfully accepted by new colonies or embryonic market-centres were insufficient to satisfy the aspirations of older and greater cities.
When Raymond VII of Toulouse accepted the Peace of Lorris the government of Canada by Louis XIV already existed in the germ. That is to say, behind the policy of France in the New World may be seen an ancient process which had ended in untrammelled autocracy at Paris. This process as it affected Canada was not confined to the spirit of government.
At times, we know, men find what they seek; and so Chaucer found in Boethius and in Guillaume de Lorris that conception which he both translates and reproduces, besides repeating it in a little "Ballade," probably written by him in the last decennium of his life.
William de Lorris took him by the hand and led him to the garden of the Rose. The illustrious Chaucer invited him to follow the gay troop of pilgrims along the highroad to Canterbury. The grave Gower, announcing in advance a sermon of several hours, begged him to be seated, and to the murmur of his wise talk, his head leaning on the window frame, the child slept peacefully.
When Raymond VII of Toulouse accepted the Peace of Lorris the government of Canada by Louis XIV already existed in the germ. That is to say, behind the policy of France in the New World may be seen an ancient process which had ended in untrammelled autocracy at Paris. This process as it affected Canada was not confined to the spirit of government.
It is to these abstractions that Guillaume de Lorris gave a new life and a singular grace in the personifications of the Romance of the Rose, and the charm and grace of his art carried Europe off its feet, so that for nearly three hundred years it tended to dominate European poetry.
Then Petrarch, Boccaccio, and the Provençal poets, and his benefactors: the Romaunt of the Rose is only judicious translation from William of Lorris and John of Meung: Troilus and Creseide, from Lollius of Urbino: The Cock and the Fox, from the Lais of Marie: The House of Fame, from the French or Italian: and poor Gower he uses as if he were only a brick-kiln or stone-quarry, out of which to build his house.
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