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From that night I boarded at the house of the Haginos. What surprised me was that on the day after I left the house of Ikagin, Clown stepped in and took the room I had been occupying. Well used to all sorts of tricks and crooks as I might have been, this audacity fairly knocked me off my feet. It was sickening.
The house was situated mid-way up a hill at the end of the town, and was a quiet. The boss was said to be a dealer in antique curios, called Ikagin, and his wife was about four years his senior. I learned the English word "witch" when I was in middle school, and this woman looked exactly like one. But as she was another man's wife, what did I care if she was a witch.
When I went to the school, in the morning of the day the farewell dinner party was to be held, Porcupine suddenly spoke to me; "The other day I asked you to quit the Ikagins because Ikagin begged of me to have you leave there as you were too tough, and I believed him. But I heard afterward that Ikagin is a crook and often passes imitation of famous drawings for originals.
The couple here, being formerly of samurai class, unlike the Ikagin couple, were both refined. The old man's recital of "utai" in a queer voice at night was somewhat telling on my nerves, but it was much easier on me as he did not frequent my room like Ikagin with the remark of "let me serve you tea." The old lady once in a while would come to my room and chat on many things.
The disgustingly snobbish Red Shirt is unexpectedly considerate and warns me in ways more than one, but then he won the Madonna by crooked means. He denies, however, having schemed anything crooked about the Madonna, and says he does not care to marry her unless her engagement with Koga is broken. When Ikagin beat me out of his house, Clown enters and takes my room.
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