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Updated: June 2, 2025
I know of no poem, in any language, which shows so wide a poetic world in so small a compass, that so runs through the scale of all that is deepest in human feelings, and, in the guise of a lyric, depicts life in its important events and epochs as if in an epic poem confined within natural limits.
The portrait of her by Zucchero, which now hangs in Hampton Court, depicts her when she must have been of more than middle age; and still the face is one of beauty, though it be a strange and almost artificial beauty one that draws, attracts, and, perhaps, lures you on against your will.
For example, the sound i depicts the absolute subject, the centre, and the sound a the absolute material object; the sound e serves for life as such, for existence in general; and o for individual life, for an existence narrowed to itself alone.
The poem now has unity and sweetness which might have been destroyed by attempting to avenge the wrongs it so vividly depicts. It is a psalm of love and forgiveness: the gentleness and peace of Christian meekness and forbearance breathe through it.
The struggle of the elements becomes more and more furious, and the music depicts it in sombre, violent notes, when suddenly the horizon brightens, the clouds are rent, the dissonant sounds pass into a sublime harmony, and in glorious notes of the most blissful exultation resound through the struggling universe the grand, redeeming words, "Let there be light!"
From this pupil the visual spirit, which is continued from it to the part of the Brain, the anterior, where the sensitive power is, suddenly, without loss of time, depicts it as in the clear spring of a fountain; and thus we see.
Cynthia's Revels was a satire on the courtiers and the Poetaster on Jonson's literary enemies. The Alchemist was an exposure of quackery, and is one of his best comedies, but somewhat overweighted with learning. Volpone is the most powerful of all his dramas, but is a harsh and disagreeable piece; and the state of society which it depicts is too revolting for comedy.
Nothing could be finer than the way in which Signor Fogazzaro depicts his zeal, his ecstasies, his visions, his depressions, his doubts; shows the physical and mental reactions; gives us, in a word, a study in religious morbid psychology for, say what we will, such abnormalities are morbid without rival in fiction.
The truth is, that the more advanced races in ancient times were, as at the present day, constantly exchanging the implements and the plants employed in cultivation; and when the annals of China refer the origin of Chinese agriculture to the introduction of five species of grain that took place under a particular king in a particular year, the story undoubtedly depicts correctly, at least in a general way, the relations subsisting in the earliest epochs of civilization.
THE TOWER OF LONDON. A Historical Romance of the Times of Lady Jane Grey and Mary Tudor. By Wm. Harrison Ainsworth. Cloth, 12mo. with four illustrations by George Cruikshank. Price, $1.00. This romance of the "Tower of London" depicts the Tower as palace, prison and fortress, with many historical associations. The era is the middle of the sixteenth century.
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