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Updated: June 30, 2025


"Certes, reverend sirs, I may well heave such a suspiration, who have, as it were, exchanged heaven for purgatory, leaving the lightsome sphere of the royal court of England for a remote nook in this inaccessible desert quitting the tilt-yard, where I was ever ready among my compeers to splinter a lance, either for the love of honour, or for the honour of love, in order to couch my knightly spear against base and pilfering besognios and marauders exchanging the lighted halls, wherein I used nimbly to pace the swift coranto, or to move with a loftier grace in the stately galliard, for this rugged and decayed dungeon of rusty-coloured stone quitting the gay theatre, for the solitary chimney-nook of a Scottish dog-house bartering the sounds of the soul-ravishing lute, and the love-awaking viol-de-gamba, for the discordant squeak of a northern bagpipe above all, exchanging the smiles of those beauties, who form a gay galaxy around the throne of England, for the cold courtesy of an untaught damsel, and the bewildered stare of a miller's maiden.

She was in turn an Oriental princess behind a silken veil, the bride who followed her bridegroom to the wars of Palestine disguised as a page, the gallant lady who ransomed her diamond necklace by dancing a coranto with a highwayman on a moonlit heath, and "Buskirk's girl" who joined the Sons and Daughters of Temperance "just to see what was into it;" and in each impersonation she was so thoroughly the thing impersonated that it was a matter of surprise to us when she emerged from each our own familiar Story Girl again.

Cloud, or some new grace or fashion in dancing, the holding of the hand lower or higher; the latest manner of passaging in a bransle or a coranto, as performed by the French King and Madame Henriette, the two finest dancers in France; Conde, once so famous for his dancing, now appearing in those gay scenes but seldom.

Darrel, was concerned in it. For examples of allusions to contemporary customs, see Sir Toby's mention of dances no longer known, 'Galliard, 'Coranto, etc. As an example of allusions to persons of that time, Sir Toby's reference to 'Mistress Mall's picture, Mary Frith, born in 1584, died in 1659, a notorious woman who used to go about in man's clothing and was the target for much abuse.

But he felt the strange impulse of the old-world music urging him forward, and did not even pause to light the candles which stood ready in their sconces on either side of the desk. The Coranto was followed by a Sarabanda, and the Sarabanda by a Gagliarda. My brother stood playing, with his face turned to the window, with the room and the large wicker chair of which I have spoken behind him.

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