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She swept them all, critics as well as the immense audience, clean off their feet. Also, by way of a foot-note, the managerial announcement that Madame Carresford had volunteered for the part at six o'clock, to rescue them from the necessity of closing the park and was to sing it absolutely without rehearsal, exploded for all time the notion that there was anything of the amateur about her.

Then she managed to get the thing a little clearer. "What she'd have done if she'd been like us and what we'd have had her do Mr. Whitney and Wallace and I, would have been to make a sort of compromise between her position as your wife and a career as Paula Carresford.

"That's a change, all right, for you," she said. He agreed with her. "I knew when it happened," he added. "It happened when I heard Paula Carresford sing one of my songs. Do you remember the story that used to be in the school reader about the tiger that tasted blood and ate up the princess?

I don't happen to want a fur overcoat nor an automobile nor an apartment on the Drive. I honestly don't want them. They aren't a part of my dreams never were. But I do want to hear my own music. I want to hear it done for all it's worth. I want to hear orchestras play it and singers as good as Paula Carresford sing it. And in order to do that I've got to look ahead a little.

She had elected to be tragic; preferred the Catskills with a dull old aunt to Vienna with a gay young father. John went alone, sore from the quarrel and rather adrift. In Vienna, he met Paula Carresford, an American opera singer, young, extraordinarily beautiful, and of unimpeachable respectability. They were in Vienna together the first week in August, 1914.