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Updated: May 4, 2025
It shows a free passion and a dramatic fire unusual for his rather quiet muse. The setting of Bourdillon's fine lyric is indeed so stirring that it deserves a high place among modern songs. "Melody" is a lyric not without feeling, but yet inclusive of most of Smith's faults.
Remembering their trip of a few weeks previous, that now seemed so long ago, Adam said, "Are you too tired to sing, dear? It is so long since I have heard you." She stood up and thought for a moment, and then putting back her loosened hair began with Bourdillon's "The night has a thousand eyes," and sang on and on.
Nevin has also put many an English song to music, notably the deeply sincere "At Twilight," the strenuous lilt "In a Bower," Bourdillon's beautiful lyric, "Before the Daybreak," the smooth and unhackneyed treatment of the difficult stanza of "'Twas April," that popular song, "One Spring Morning," which has not yet had all the charm sung out of it, and two songs with obbligati for violin and 'cello, "Deep in the Rose's Glowing Heart" and "Doris," a song with a finely studied accompaniment and an aroma of Theokritos.
The five-song'd opus 14 shows well matured lyric power, and an increase in fervor of emotion. Bourdillon's "The Night Has a Thousand Eyes," which can never be too much set to music, receives here a truly superb treatment. The interlude, which also serves for finale, is especially ravishing. "Heart Longings" is one of Mr. Smith's very best successes.
I have made a list of the plants that are possible for my own permanent bed of fragrant flowers and leaves, that I may enjoy them, and that the Infant may have fragrant memories to surround all her youth and bind her still more closely to the things of outdoor life. I chanced upon a verse of Bourdillon's the other day. Do you know it?
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