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Updated: May 13, 2025
Each division of this arcading contains two niches for statues, and above the niches are gables. Above the gables the divisions are filled with tracery closely resembling that of the lower arcade. This second arcade reaches to the bottom of the great window, which is marked by a string course running across the whole part.
Some of the piers of the nave arcading have also been partially renewed. By an act of much-to-be-condemned vandalism the sub-arches of the two eastern bays of the south triforium of the nave were cut away to make room for faculty pews; recently a glaring white pillar has been introduced into the westernmost of these two bays, and two sub-arches built.
The niches terminate in semi-domes, and two of them are pierced with doors, one of which is of a later date than the rest of the building. The exterior of each niche has a rough arcading of three arches. The springing of the dome and ornamented rosettes in the semi-domes still remain. The courses are horizontal, and the niches terminate outside in a slightly sloped roof.
Among these, the circular staircase attached to the transept, with its rich diaper work; Norman arcading of interlacing arches running round the transept; the large windows of the choir clerestory, so wide and closely set together that the whole wall seems as though composed of glass through which, and the windows of the opposite wall, the light of the sky can be seen; and lastly, the upper storey of the Lady Chapel with its row of windows of a domestic type.
In the north wall a fine Decorated window was inserted by Quivil for the purpose of lighting his newly made transepts. To make way for this window a portion of the arcading of the first stage was cut away. The towers are similar to each other, and they were formerly capped with spires.
It will be remembered that such buttresses are to be met with along the walls of the choir, which is covered with a stone vaulting. The nave consists of seven bays. The pillars of this arcading, unlike those of Flambard's nave at Durham, are not cylindrical, but consist of half columns set against piers rectangular in section.
The present ceiling was put up by Sir Gilbert Scott, who, it is said, would have restored the vaulting had funds allowed. Of the buttresses, that adjoining the doorway has in its front, as well as in the side toward the lobby, a small trefoiled and moulded recess. These two buttresses are built against the piers of the arcading, part of the last arch of which is visible behind the cupboard.
The small remnants of the division wall at the east are some slight indication of what the design of the arcading on this wall was before it was destroyed. In the next chapel, that of the #Four Virgins#, there is nothing to show where the aumbry or the piscina was. But on the north 'the position of the arcading on the east dividing wall remains.
The chamber is of very considerable dimensions, and is said by those who have seen it to be quite the finest cave in the Mendips. The church is not particularly noteworthy except for the odd device of avoiding a squint by an extension of the arcading. The walls, font, and S. doorway are Norm.
The main interest of the church is its association with "In Memoriam," but archaeologically, too, it is well worth a visit. It is a building with a low central tower, which is pierced with some Norm, belfry windows, and rests upon fine Norm. arches N. and E., cut with rather unusual mouldings. The arcading of the nave is peculiar; above is a Perp. clerestory.
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