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Updated: May 23, 2025


On leaving the Palazzo, Landor acquired the Villa Gherardesca, on the hill-side below Fiesole, and a very beautiful little estate in which the stream Affrico rises. Crabb Robinson, the friend of so many men of genius, who was in Florence in 1880, in rooms at 1341 Via della Nuova Vigna, met Landor frequently at his villa and has left his impressions.

Thou knowest how, and why, are dear to me My citron groves of Fiesole, My chirping Affrico, my beechwood nook, My Naiads, with feet only in the brook, Which runs away and giggles in their faces; Yet there they sit, nor sigh for other places but later in the year came a serious break. Landor's relations with Mrs. I leave thee, beauteous Italy!

He bought a most beautiful farm, called Lo Spinello, on the heights of Fiesole, and another with a very beautiful house called Il Cantone, in the plain above San Salvi, on the River Affrico, and a great house in the Via de' Ginori, which he was enabled to acquire by the moneys and favours of the Duke.

Niccolo de' Cerchi, with many of his friends, went to his estates, and being arrived at the bridge of Affrico, was attacked by Simone, son of Corso Donati. The contest was obstinate, and one each side had a sorrowful conclusion; for Niccolo was slain, and Simone was so severely wounded that he died on the following night.

Another of the outlying realms of pastoral is the mythological tale, more or less directly imitated from Ovid. The first to introduce it in vernacular literature was Boccaccio, who in his Ninfale fiesolano uses a pagan allegory to convey a favourite novella theme. The shepherd Affrico loves a nymph of Diana, and the tale ends by the goddess changing her faithless votary into a fountain.

They were, however, pursued by vast numbers, and Gherardo was slain upon the bridge of Affrico by Boccaccio Cavicciulli. Corso was overtaken and made prisoner by a party of Catalan horse, in the service of the Signory, at Rovezzano.

No more From the high terraces, at even-tide, To look supine into thy depths of sky, The golden moon between the cliff and me, Or thy dark spires of fretted cypresses Bordering the channel of the milky way. Fiesole and Valdarno must be dreams, Hereafter, and my own lost Affrico Murmur to me but the poet's song.

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