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Updated: June 7, 2025
His early songs and complimentary pieces are all in the Danish taste, and if they show any native influence at all, it is that of Welhaven. The extreme superficiality of Wergeland would naturally be hateful to so arduous a craftsman as Ibsen, and it is a fact that so far as his writings reveal his mind to us, the all-popular poet of his youth appears to be absolutely unknown to him.
What this signifies may be realized if we say that it is as though a great English or French poet of the second half of the nineteenth century should seem to have never heard of Tennyson or Victor Hugo. On the other hand, at one crucial point of a late play, Little Eyolf, Ibsen actually pauses to quote Welhaven.
What England repudiated, Norway comprehended, and in certain hands enjoyed. Polemical literature, if seldom of a high class, was abundant and was much appreciated. The masterpiece of modern Norwegian poetry was, still, the satiric cycle of Welhaven. In ordinary controversy, the tone was more scathing, the bludgeon was whirled more violently, than English taste at that period could endure.
Fanaticism gathered in an angry army around the outraged standard of the republican poet, but the lovers of order and discipline had found a voice, and they clustered about Welhaven with their support. Language was not minced by the assailants, and still less by the defenders.
When, in the words of The Cask of Amontillado, Wergeland "ventured upon insult," Welhaven "vowed he would be avenged." Welhaven formed as complete a contrast to his antagonist as could be imagined. He was of the class of Sully Prudhomme, of Matthew Arnold, of Lowell, to name three of his younger contemporaries.
LITERATURE OF NORWAY. Norway cannot be said to have had a literature distinct from the Danish until after its union with Sweden in 1814. Jonas Lie who enjoys a wide popularity, Camilla Collett, and Magdalene Thoresen are also favorite writers. Wergeland and Welhaven were two distinguished poets of the first half of the century.
When a solid foundation has in this manner been laid, the necessary materials for a literature would surely not be wanting, for they are found in abundance, both in the antiquities and in the popular life of Norway. Welhaven continued his effective work as a poet and critic.
This conservative element maintained that art and culture must be developed on the basis of the old association with Denmark, which had connected Norway with the great movement of civilization throughout Europe. As the political leader of this "Intelligence" party, as it was called, appeared J.S. Welhaven.
It was not unnatural that Welhaven should look upon the corybantic music of Wergeland as the source and origin of an evil of which it was really the symptom; he gathered his powers together to crush it, and he published a thunderbolt of sonnets.
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